flux factory,a not for profit arts organization supporting innovation in things.
a not for profit arts organization supporting innovation in things.
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tangent: an independently produced art-zine. Issue.05. Feb/March 2006

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New York Times, March 13 2005

The New Bridge and Tunnel Crowd
By HOLLAND COTTER
March 13, 2005

(excerpt)

“Maybe because Queens has no cultural center - or rather because it has several, but spread miles apart - it has become the home of many of those self-created communities known as artists’ collectives. One, Flux Factory, occupies a floor in a converted factory in Long Island City, an environment that feels a little like a cross between a youth hostel and a space station.

The 15 resident members have their own rooms, but all amenities - bathrooms, a kitchen, a library, a computer lab, a dining room and a large exhibition space - are shared. So are expenses. With its nonprofit status, the collective’s members survive primarily on grants, on proceeds from their art and on a talent for frugality that they regard as an art in itself.

Much of their work is conceptual and performance based, as was the case in a three-month residency they did a few years ago at the Queens Museum of Art. Wearing bright orange coveralls, they clocked in every morning and more or less made up their work as they went. They began with an empty gallery and continually modified the space with gridlike screens and temporary barriers while doing their own projects: making collages, tabulating statistics, building contraptions. The result was a single installation, an accumulation of accumulations, a combination of theater, child’s play and ritual, a Rube Goldbergian version of everyday life.

This May they will present “Novel: A Living Installation Flux Factory,” in which three novelists - Laurie Stone, Ranbir Sidhu and Grant Baille - will live on-site, dining together, giving weekly public readings and trying to complete their novels by June 4. The point? To present the act of writing as both the private activity and audience-conscious public performance that it is. To suggest that art is always an activity as much as a product, and that any activity can be art. And to remind us that all of art’s sacred-cow concepts - creativity, inspiration, solitary genius - are fit subjects for laboratory testing.”

click here for full article (nytimes register)

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Very nice post on “squiddity” - Sat March 12th 2005

Saturday, March 12, 2005

Flux Factory are having more fun than we are

Man, I wish I could belong to New York art collective Flux Factory. I first heard of them when their president, Morgan Meis, published an article entitled “Devil’s Work” in the April 2004 issue of Harper’s. It detailed the progress of a performance/installation the group did a few years ago in the Queens Museum of Art, in which they were given a room in the museum for 3 months and left to their own devices. At first they just hung out in the room, wearing orange jumpsuits and sticking things to the walls, but then they started to get bored. One of them suggested, “We have to extend the room.” A couple of others agreed…

read the rest.. she rocks!…

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Time Out New York - March 3-9 2005

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