Maya Quattropani is a visual artist & art teacher based in Turin, Italy, working with performance, analog photography, video, sound and textual/narrative installations. Her work is an archive-in-progress of daily rituals developed in participatory actions/games/workshops/excursions involving people to cooperate in the construction of a new (artistic) community.
Dylan Neely is a composer and improviser whose work includes electroacoustic violin performance, opera, sound installation, and various multimedia collaborations.
Bonella Holloway explores the structures of everyday life, focusing on its humour and musicality through video, writing, sound and performance. Rhythms of transport, meals, speech, emotional patterns, sexuality, editing processes of cinema, and experimental music become tropes, used and deformed to construct her own visual universe.
Ariel Abrahams writes poetry in email, inky pen drawings, .zip files, audio, sleepovers, long walks, and Shabbat dinners.
Lyoudmila Milanova is a media artist based in Cologne, Germany, who works across the boundaries of video, installation and performance. She is fascinated by the nature of the process, the gradual change, by those tiny, almost invisible moments of transitions when the standstill turns to movement, the static to the kinetic, or vice versa.
Caroline Partamian is an independent curator, artist, and chef. Her exhibitions focus on kinetic memory and somatics in relation to dance and performance.
Tzu-Huan Lin creates work with situations in which everyday objects are altered or detached from their natural function
Stephanie is an organizer, curator and facilitator of people, music, vintage clothing and various desert plants, and is Flux Factory’s Administrator & PR Director.
Nat is the Executive Director at Flux Factory. He’s also a co-founder of Silent Barn’s Bushwick location, and is an audio collagist who published improvisations for many years at WFMU.
Alisha Monypenny is interested in the motivating forces behind memoir, the negotiation between an artist’s willingness to reveal a thing and the audience’s desire to consume it.
Will Owen is an artist working primarily with design, interactive media, sound, and food. He’s interested in the social intersections of the organic & synthetic, memory & perceived reality, and Fozzie Bear & Miss Piggy.
Tina Kohlmann questions the metaphysical, the hallucinatory, the organic and inorganic. Her work is found at the crossing of a road, the loud concert area, in haunting lab experiments and psychokinesis.
Gil Lopez is an urban farmer, eco-educator, landscape designer/installer and direct action crafter.
Alex Nathanson is a creator and organizer of images, sounds, and events. His practice is based in collaboration, intentional communities, and a DIY ethos.
Carina is an arts worker, curator, chef, and is Flux Factory’s Residency Director.
Lena Hawkins creates image-based works that re-enact rare and other non-circulating materials. She practices analog techniques including producing prints, films, and microfilms in an effort to preserve and re-construct fabricated entities. Her favorite topics of conversation are unsolved mysteries, recreational vehicles, and products that are out of production.
Jason Eppink engages in public space magic, open source scheming, moving image mischief, photon reappropriation, and linguistic subterfuge.
His doings have been seen worldwide because they’re all on the internet. Also they’ve been seen worldwide in galleries.
A musician, artist, and builder. “My first time at the Flux Factory was when White Limo, my heavy metal band, played at their prom in 2005. We broke their new stage on the first chord of our first song. Shortly thereafter, I found myself working on the Flux show: NOVEL: a living installation. It turned out I would become a frequent collaborator, and at times a muse.