Nat is the Executive Director at Flux Factory. He’s also a co-founder of Silent Barn’s Bushwick location, and is an audio collagist who published improvisations for many years at WFMU.
Javier Sánchez is a New York-based independent art critic and curator. He recently completed his studies at the Center for Curatorial Studies at Bard College.
Roopa Vasudevan is an artist, developer and researcher. Her practice involves creating visual, usually physical representations of data that have a great and often subconscious influence on the way that we treat one another.
Alisha Monypenny is interested in the motivating forces behind memoir, the negotiation between an artist’s willingness to reveal a thing and the audience’s desire to consume it.
Misha Rabinovich is investigating the idea of Waste as a cultural construct, and is interested in making ecology legible through multi-player gaming.
Caitlin Foley is interested in creating spaces conducive to experiencing time slowly.
Danny Crump is a visual artist working primarily in sculpture, and a musician seeking to turn common melodies into unique visual experiences.
Will Owen is an artist working primarily with design, interactive media, sound, and food. He’s interested in the social intersections of the organic & synthetic, memory & perceived reality, and Fozzie Bear & Miss Piggy.
Tina Kohlmann questions the metaphysical, the hallucinatory, the organic and inorganic. Her work is found at the crossing of a road, the loud concert area, in haunting lab experiments and psychokinesis.
Gil Lopez is an urban farmer, eco-educator, landscape designer/installer and direct action crafter.
Ben Seretan plays the electric guitar, sings, and makes long music – big, sweeping clouds of tones that fill a room.
Ayden L.M. Grout is an artist, writer and translator working at the intersection of language and image. In addition to her own practice, she is part of the core collaborative team of Odyssey Works, an interdisciplinary performance group that makes durational experiences for an audience of one.
Jung In Jung is a sound artist/designer from South Korea who has been primarily UK-based for the past 7 years. She thinks about how to ‘present’ sound in interesting ways with interactivity. For the past three years, she has collaborated with contemporary dancers using motion tracking technology to create improvisational dance-sound works.
Alex Nathanson is an artist working with video, computer programing, installation, and performance. His work has been presented internationally at both DIY art spaces and established venues. He performs live video work, occasionally under the moniker Grey Matter, in collaboration with Man Forever, Vernous, and Dylan Neely.
Carina is an arts worker, educator, chef, and is Flux Factory’s Residency Manager.
Aliya Bonar makes installations, sculptures, costumes, and events that connect people through providing a playful and purposeful place to explore.
Lena Hawkins creates image-based works that re-enact rare and other non-circulating materials. She practices analog techniques including producing prints, films, and microfilms in an effort to preserve and re-construct fabricated entities. Her favorite topics of conversation are unsolved mysteries, recreational vehicles, and products that are out of production.
Jason Eppink engages in public space magic, open source scheming, moving image mischief, photon reappropriation, and linguistic subterfuge.
His doings have been seen worldwide because they’re all on the internet. Also they’ve been seen worldwide in galleries.
Angela Washko is an artist and facilitator devoted to mobilizing communities and creating new forums for discussions of feminism where they do not exist.
Douglas Paulson is an artist, arts worker, and teacher who sees each of these as pillars of his practice. He chooses to work collaboratively, intervening in public, social, and cultural spaces. He is part of the international three-person group Parfyme, a member of New York City’s open collective Flux Factory, where he runs the residency program.