Julia Carrillo Escalera’s practice utilizes mathematics and physics in order to build an approach to natural phenomena, such as the transformation of space, the motion of light, and the forces that condition life on Earth.
Through poetical analogies of nature and anthropogenic events, Rodrigo Ímaz’s practice emphasizes the inadequacies of instrumental reason, while critiquing contemporary society by exploring the violent nature of the relationship between life and cycles of nature.
SofieRex is a queer-feminist political activist from Copenhagen-Denmark with loads of experience working with political community building, collective organizing and political events/protests, employing ideas of Utopia centered around non-hierarchical collective living and collective political organizing.
Seth Larson is a performance artist and director focusing on Futurist and Surrealist theater.
Lavinia Raccanello’s work focuses on the relationship between human beings, society and social justice, with a particular emphasis on the power of dialectic and participatory practice, and the conflict between state power and personal autonomy and responsibility.
Stephen Polk is an educator, researcher, and community organizer. He’s been involved in numerous movements and projects, including anti-war organizing, 10 years of collective living, Occupy Denver, food justice and gardening.
Walker Tufts uses writing, art, and dialogue to explore collaboration, institutional forms, pedagogy, and landscape.
Matthias Borello is a Danish critic and independent curator focused on art practices, exhibition formats and curatorial strategies within social practices.
Nat is the Executive Director at Flux Factory. He’s also a co-founder of Silent Barn’s Bushwick location, and is an audio collagist who published improvisations for many years at WFMU.
Alisha Monypenny is interested in the motivating forces behind memoir, the negotiation between an artist’s willingness to reveal a thing and the audience’s desire to consume it.
Will Owen is an artist working primarily with design, interactive media, sound, and food. He’s interested in the social intersections of the organic & synthetic, memory & perceived reality, and Fozzie Bear & Miss Piggy.
Tina Kohlmann questions the metaphysical, the hallucinatory, the organic and inorganic. Her work is found at the crossing of a road, the loud concert area, in haunting lab experiments and psychokinesis.
Gil Lopez is an urban farmer, eco-educator, landscape designer/installer and direct action crafter.
Ben Seretan plays the electric guitar, sings, and makes long music – big, sweeping clouds of tones that fill a room.
Ayden L.M. Grout is an artist, writer and translator working at the intersection of language and image. In addition to her own practice, she is part of the core collaborative team of Odyssey Works, an interdisciplinary performance group that makes durational experiences for an audience of one.
Alex Nathanson is an artist working with video, computer programing, installation, and performance. His work has been presented internationally at both DIY art spaces and established venues. He performs live video work, occasionally under the moniker Grey Matter, in collaboration with Man Forever, Vernous, and Dylan Neely.
Carina is an arts worker, educator, chef, and is Flux Factory’s Residency Manager.
Aliya Bonar is an artist, community organizer and event producer using fashion, costume, interview and installation to break down the divide between Professional and Playful.
Lena Hawkins creates image-based works that re-enact rare and other non-circulating materials. She practices analog techniques including producing prints, films, and microfilms in an effort to preserve and re-construct fabricated entities. Her favorite topics of conversation are unsolved mysteries, recreational vehicles, and products that are out of production.
Jason Eppink engages in public space magic, open source scheming, moving image mischief, photon reappropriation, and linguistic subterfuge.
His doings have been seen worldwide because they’re all on the internet. Also they’ve been seen worldwide in galleries.