In her current work, Sonya Schönberger is meeting eyewitnesses from the time of World War II and conducts personal interviews with them, exploring the cultural memory of the German society. She follows these witnesses and memory-keepers into the everyday life of the Third Reich.
Tina Kohlmann questions the metaphysical, the hallucinatory, the organic and inorganic. Her work is found at the crossing of a road, the loud concert area, in haunting lab experiments and psychokinesis. She draws our attention to the mundane, the trite, the beautiful and the discarded. She spent five years operating a dance club in Germany, is a jurymember and curator of Szpilman Award, and is currently located where ever she is located.