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OTR Dispatches - May, 2005


Anywhere But Home: The Case of Japanese Hospitality

Christian Nagle

Riding home on the Chuo line yesterday, I saw another one. Hanging from the train’s center aisle was a real estate advertisement depicting the Japanese dream home. And once again, I had to laugh.

Everything about it was meant to look American, from the complacently smiling family (Mom and Dad, junior and sis, golden retriever) to the van peeking out from a well-stocked garage. And, of course, the house itself. Under a cloudless blue sky, the two-storey neo-Colonial boasts four bedrooms, four-meter-high ceilings, a “system” kitchen larger than most Tokyo apartments, and hardwood floors. The garden in front would make inner-city developers drool with visions of vertical space revenue. In secondary photos, the children sleep soundly while the parents entertain a neighborhood couple by candlelit dinner. Sweet suburbia.

The house is probably located in Reston, Virginia (a “model community” half an hour south of Washington, D.C.) or somewhere like it. But that’s not what makes this vision of the Japanese dream home seem so implausible. Nor is it the outrageous bank loan one would need for the down payment. What’s absurd is the frame showing the two couples enjoying a bottle of wine over their Tuscan salmon. In most Japanese city homes, it’s not going to happen.

How do I know? After four years of living in Tokyo, Yokohama and Kawasaki, I can say with some assurance that urban Japanese prefer to entertain outside of the home. Many of my supposedly close friends have treated me at izakayas on countless occasions, but never invited me to hang out at their apartments. When I ask others about this phenomenon, they usually offer one of two explanations:

1) “We Japanese are ashamed of the small size of our houses.”
2) “We are afraid that our food will not be satisfactory.”

Okay. But as long as I don’t have to stand while eating a bowl of cold porridge, I’m pretty forgiving when someone makes the effort to entertain me. So are most people. I suspect that a reluctance to invite friends into one’s home comes, in fact, not out of consideration, but a curious blend of apathy and fear.

Many years ago, I travelled alone through South America. My guide in Santiago, Chile, was Felipe, a man loosely employed by the municipal bus system. He looked like a hoodlum in his old denim jacket and ratty fingerless gloves, but I quickly grew fond of him. Cheerful and adept, he showed me a more colourful time than any professional tour could have. On our last day together, he invited me to dinner at his home. We had bonded over the course of the week and he wanted to make a parting gesture of friendship. Felipe lived with his wife and two sons in a slum twenty miles south of the city; a filthy, dangerous neighborhood. Their home was spartan but clean, and the food, though simple, was tasty and plentiful. Afterwards, Felipe rode back into the city with me to make sure I boarded the right bus to my next destination. To this day, that evening remains one of my emotional touchstones. Faith in humanity, I found out, can be restored by something as ordinary as the proffering of a ham sandwich and a soft drink.

Are the Japanese capable of such hospitality as Felipe’s? Better, certainly. Take a short trip into the countryside and you’ll find yourself being feted like a king, sometimes by almost complete strangers, regardless of their financial status. Shitarachou in Toyohashi, for example, has a flower matsuri (summer festival) every year, during which locals throw open their doors to cook for whomever happens to drop by. All day, the entire town is involved in a kind of open house feast, complete with music and dancing. Yes, it’s only once a year. But it’s not difficult to extrapolate from Shitarachou’s matsuri customs and imagine its daily atmosphere. An open front door bespeaks a generally open heart, a philosophy that rural Japanese maintain and urbanites have allowed to atrophy.

Let’s itemize the fear and apathy I mentioned earlier as it pertains to home entertainment:

- Those who still live with their parents might find it difficult to relax with friends while family members are walking in and out (Fear).
- Even if you live alone, allowing others to see your private world can be a source of deep psychological discomfort (Serious fear).
- Tokyo is huge: if people live far apart, commuting to get together may hardly seem worth the effort (Apathy).
- “And I have no time to entertain!” some will say. It’s true that many city dwellers work extremely long hours, which means weekday socializing is out of the question. And as for weekends…”Hey, I’d rather be sleeping or watching TV than shopping for hotpot ingredients” (Downright sloth).

These excuses easily came to mind but so do their refutations:

- In the best households, a child’s friends are welcomed by the parents as extended family.
- Most people tend to associate with others of roughly the same socio-economic background and, hence, there will be little disparity in standards of living. True friends have nothing to prove to each other anyway.
- It’s always worth the effort. “Face time” with someone is infinitely better than exchanging cellphone text messages. Relationships don’t grow on a 3 x 4cm screen.
- Time isn’t found, it’s made. Get off your butt.

Perhaps the very lameness of Japanese excuses for not inviting friends over is a symptom of a pathologically shy culture. But why would an already shy culture want to turn ever more inward?

What's even stranger, people with greater wealth—and, hence, more free time—than the average Taro and Hanako, don’t socialize at home either. Just take a stroll through Den-en-chofu, one of Tokyo’s richest residential areas. These enormous houses, although packed together like a rugby team in an elevator, are castles against society. Sure, everyone knows who their neighbors are, but you’ll rarely catch them chatting over the garden fence.

Christian Nagle has previously published in The Paris Review, Partisan Review, Southwest Review and elsewhere. He lives in Tokyo, Japan, where he is working on translations of the complete poems of Chuya Nakahara.

 

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