Flux Factory for Man Bartlett’s first New York solo show. Barlett was at the space and when we arrived he was happy to see us. The place looked clean and a little solemn. Small ink drawings were placed under glass on a table, burned wood pieces hung on the wall, one large drawing was sitting on a drafting table, and another sculptural installation stretched across one wall. There was a constant trickle of people coming in to look at the art and everyone seemed receptive. Bartlett’s work was sparse and controlled. They were equal parts cerebral and emotional, no one side dominated the other. Veken and I shared a can of beer and lingered to see how the work would change. It felt a little religious, but I’m an atheist, what do I know.