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Stefany
Anne Golberg was reared in a strong Science-fearing household in
an overlarge house in Las Vegas, NV. Influenced by nothing in particular,
she developed an avid interest in everything, and was formally trained
in dance, theatre, painting, and sculpture. However, despite a growing
interest in Continental philosophy and social activism, beginning
at age 12, she never became a very good gambler. But the story doesn’t
end there.
At
the age of 17, following a 2-year stint in a professional theatre troupe,
Stefany escaped the confines of the Boxing Capital upon acceptance to
The American Academy of Dramatic Arts, NYC. Then, in an uncanny twist
no one
could have predicted, she dropped theatre in exchange for something
more respectable, and helped establish the Flux Factory, The much-acclaimed
1995 brought a degree in Philosophy from Eugene Lang College at The
New School
For Social Research. There’s yet more. Armed with her education,
a yang chin (Chinese hammered dulcimer), and a sensitivity to citrus
fruits, Stefany finally lassoed her favorite and most unfamiliar filly,
music.
Thus, the remainder of Stefany’s essence was now devoted to song,
words, and the industrious lifestyle of the pauper-elite. She is presently
an MFA candidate in Music/Sound at Bard College and has studied Bulgarian
and Sephardic folk-singing, as well as many international folk musics.
A self-trained musician and composer, she has created sound scores for
various dance and theatre companies. Stefany was the leader of the Balkan/cabaret/
experimental band The Galerkin Method, and also appears regularly
as a guest artist in the musical projects of others playing hammered
dulcimer, percussion, singing, or hypothesizing. She is deeply committed
to Flux Factory, and its world-infiltration agenda. |
