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X-WR-CALDESC:Events for Flux Factory
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DTSTART;TZID=America/New_York:20190125T130000
DTEND;TZID=America/New_York:20190127T220000
DTSTAMP:20211108T074823Z
CREATED:20190101T162441Z
LAST-MODIFIED:20211108T074823Z
UID:21360-1548421200-1548626400@www.fluxfactory.org
SUMMARY:Radio Shack: a new sound installation by Daniel Fishkin
DESCRIPTION:A cabin in the woods\, emanating electronic music…\n\nJanuary 25th – 27th\ngallery hours: January 25th – 27th\, 1pm – 6pm \nThe installation will also be presented alongside two concerts of electronic music\nFlux Gallery\, this location is wheelchair accessible \nPerformance:\nSaturday\, January 26th\, 7pm\n\nCal Fish\nKwami Winfield\nAnastasia Clarke\nMallie Sanford\n\nPerformance:\nSunday\, January 27th\, 7pm\nEd Bear\nVinyl Quartet\nThank You Please
URL:https://www.fluxfactory.org/event/radio-shack/
LOCATION:Flux Factory\, 39-31 29th St\, Long Island City\, NY
CATEGORIES:Residency Shows
ATTACH;FMTTYPE=image/jpeg:https://www.fluxfactory.org/wp-content/uploads/2018/12/Fishkin_Feature.jpg
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DTSTART;TZID=America/New_York:20190126T120000
DTEND;TZID=America/New_York:20190126T180000
DTSTAMP:20211108T074758Z
CREATED:20190120T040650Z
LAST-MODIFIED:20211108T074758Z
UID:21398-1548504000-1548525600@www.fluxfactory.org
SUMMARY:Workshop: Visual Storytelling with Jaime Iglehart
DESCRIPTION:Saturday January 26th and Sunday January 27th\nNoon – 6pm\nPlease share this event with friends \nIn this 2 day workshop we will focus on the language of cinema by exploring shot choices and composition from throughout film history. We will then work with scripted scenes from our favorite films\, breaking up into teams to shoot the scenes with our own shot choices. At the end of the two day workshop\, we will screen our films alongside the original scenes as they were shot for Hollywood. We will compare their shot choices with our own and that of our classmates and discuss what choices were made and why. This exercise is meant to sharpen the director’s eye and will incorporate learning skill sets such as shot listing\, film producing and creating the bird’s eye shot diagram. \nThis workshop is free and open to 16 participants. All ages are welcome with adult supervision. Participants should plan on attending both Saturday and Sunday \n\nTo register\, email: jaime.iglehart@gmail.com\n\nJaime Idea Iglehart is a multimedia artist who earned her Master’s Degree in filmmaking from Columbia University\, and her Bachelor’s degree in Filmmaking from Bard College. Her multi-media work incorporates experimental narrative films based in dream logic\, with expansions into interactive film-set installations and social sculpture interventions. \nImage Credit: Man With a Movie Camera\, by Dziga Vertov
URL:https://www.fluxfactory.org/event/visual-storytelling2/
LOCATION:Flux Factory\, 39-31 29th St\, Long Island City\, NY
CATEGORIES:Residency Shows
ATTACH;FMTTYPE=image/jpeg:https://www.fluxfactory.org/wp-content/uploads/2018/07/VisualStoryTelling_Feature.jpg
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DTSTART;TZID=America/New_York:20190126T190000
DTEND;TZID=America/New_York:20190126T220000
DTSTAMP:20211108T074747Z
CREATED:20190110T175725Z
LAST-MODIFIED:20211108T074747Z
UID:21419-1548529200-1548540000@www.fluxfactory.org
SUMMARY:Radio Shack: Performance with Cal Fish and others
DESCRIPTION:a cabin in the woods\, emanating electronic music…\na new sound installation by daniel fishkin\n\nFlux Gallery\, this location is wheelchair accessible\n\nSaturday\, January 26th\n7pm in the Flux Gallery\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nCal Fish\nKwami Winfield\nAnastasia Clarke\nMallie Sanford\n\n\n  \n\nThis concert is played alongside the Installation Radio Shack\, a new sound installation by Daniel Fiskin\n\nJanuary 25th – 27th \ngallery hours: January 25th – 27th\, 1pm – 6pm\n\n\n  \nDaniel Fishkin’s ears are ringing. Composer\, sound artist\, and instrument builder. Completely ambivalent about music. Daniel studied with composer Maryanne Amacher and with multi-instrumentalist Mark Stewart. He has performed as a soloist on modular synthesizer with the American Symphony Orchestra\, developed sound installations in abandoned concert halls\, and played innumerable basement punk shows. Daniel’s lifework investigating the aesthetics of hearing damage has received international press (Nature Journal\, 2014); as an ally in the search for a cure\, he has been awarded the title of “tinnitus ambassador” by the Deutsche Tinnitus-Stiftung. Recent activities include Composing the Tinnitus Suites: 2016\, a concert series about hearing damage\, taking place in Philadelphia\, PA\, supported by a Project Grant from The Pew Center for Arts & Heritage. Daniel received his MA in Music Composition from Wesleyan University\, has taught analog synthesis at Bard College. After a stint working toward his PhD at University of California\, San Diego\, Daniel returned to the East Coast\, and now lives in Queens\, NY.\n  \n\nAnastasia Clarke is a composer\, performer\, and sound engineer focusing on live embodied electronic music performance. Anastasia’s solo and collaborative projects serve as sites for research and meaning-making. Anastasia’s sound works have been premiered at MoMA PS1\, The Film Society of Lincoln Center\, HERE Arts\, Triskelion\, and Incubator Arts Project. Anastasia studied Electronic Music and Recording Media at Mills College. \n \n\nCal Fish (collaborators TBA) Living in different parts of New York my whole life\, I have been working to assert art as a necessarily productive social container and sound as a medium for communication with latent potential. Media ecology and acoustic ecology have been at the center of my text studies while I have practiced with interactive sound sculpture\, social scores\, and group movement. I have been involved in DIY art/music organizing around the U.S. and internationally for about six years. In current projects I have been focusing on making a specific place/community’s relationships between public space\, ecology\, and empathy audible through dynamic collaboration.\nMallie Sanford acknowledges and examines their body dysphoria\, hoarding tendencies\, andtoxic behaviors displayed in personal relationships through the use of fabric\, video\, performance and sound. The work represents the intense emotion emitted when making the work\, and the attempt to make the body and mind function as a genderless form. \n\n\n\n\nKwami Winfield\nThe trumpet indexes many things: the call of battle\, the cry of freedom\, the cool. By sight\, sound\, and (recently) by name\, it carries markedly varied significance. The trumpet is an amplifier. Human energy vibrates a column of air inside of the instrument and resonates in particular pitches. An amplifier takes an input signal and outputs a much louder signal with some degree of distortion or saturation\, the trumpet produces a harmonic distortion of the input signal. The trumpet is a machine with discreet and insular mechanics that are hidden to the eye but are vital to the sound product. My engagement with music and sound is not focused on the sound product\, but the process and prosody of musical play.
URL:https://www.fluxfactory.org/event/radioshackperformance01/
ATTACH;FMTTYPE=image/jpeg:https://www.fluxfactory.org/wp-content/uploads/2018/12/Fishkin_Feature.jpg
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