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DTSTART;TZID=America/New_York:20201101T080000
DTEND;TZID=America/New_York:20201214T235900
DTSTAMP:20260411T100656
CREATED:20200310T225607Z
LAST-MODIFIED:20201215T155023Z
UID:26798-1604217600-1607990340@www.fluxfactory.org
SUMMARY:Artist-in-Residence 2021 Open Call
DESCRIPTION:APPLY HERE\nDeadline: December 14\, 2020\, 11:59 EST \n2020 has been a complicated and challenging year for all of us\, including Flux Factory. To ensure the safety of our community\, we have not invited any new residents since we shut down in March. By adhering to public health guidance about how to be together safely\, we are excited to be able to invite a limited number of new Artists-in-Residence to join the Flux Factory family in 2021. \nThe Flux Factory Residency grew organically out of a DIY artist’s collective founded in 1994 in an old spice factory in Brooklyn. Flux is now happily nestled in the Long Island City neighborhood of Queens\, New York. \nJoin our mailing list or follow us on Instagram to ensure you don’t miss a beat! \nScroll down to learn more details about Flux Factory’s Residency…\n* Please note that due to COVID19\, safety protocols will be in place that may change some of the below information. For more information about specific COVID19 protocols please email Maya@fluxfactory.org \n\n\n\n\n\n\nDetails on Residency\n\n\nClick here to read the info page in French or Spanish \n\n\nResidency \nSince 1994\, Flux Factory has offered an informal\, artist-run\, and collective residency program comprised of a changing community of creative collaborators\, including (but not limited to) artists\, community organizers\, urban agriculturalists\, educators\, curators\, builders\, game designers and musicians. As a community\, we value communication\, co-creation\, accountability\, experimentation\, and safe space. \nWe offer short & long-term residencies\, work facilities\, as well as direct exhibition and programmatic opportunities. Since introducing our formal residency program in 2009\, hundreds of cultural producers from all over the United States\, South Africa\, Myanmar\, Turkey\, Italy\, Germany\, China\, France\, Mexico\, Denmark\, Russia\, Chile\, Lebanon\, South Korea\, Taiwan\, Peru\, the Ukraine and more! Flux’s history as a DIY family is deep in our DNA. Residents collaborate and learn from one another to realize new works\, propose and produce our public programming\, and have equal input in the overall direction of the organization. \nDuration \nOur open call for Fluxers is posted twice a year. In 2021 we are inviting artists for residencies of 3 – 6 months. \nProgramming \nArtists-in-Residence are the originators of Flux Factory’s programming\, including most of Flux Factory exhibitions and public programs. All residents are given an allotted amount of days in the gallery to have a solo show\, curate a group show\, host a panel or forum or use it as extra studio space. Flux Factory provides a stipend to each Resident for their public presentation\, or to research or produce new work. Each year we have four month-long exhibitions curated by Residents and other Fluxers\, as well as an annual Artists-In-Residence exhibition. \nFacilities \nFlux Factory residents are free to use all facilities and resources\, as well as access to other city programs such as Materials for the Arts (two blocks away!). The building is equipped with a wood shop\, silk screen studio\, co-working office\, library\, kitchen\, large deck\, expansive gallery space\, and audio visual equipment. \nFluxhood \nAs a part of a community-run center for artists\, Flux Factory residents are asked to take part in the creation and maintenance of its facilities and programming. On Monday nights\, all Flux Factory residents and administrators attend a weekly meeting so that we may foster a sense of community and discuss the evolving needs of the program. \nResidents are asked to put in volunteer hours toward the maintenance of the space and a weekly chore. A constantly changing physical and social environment\, Flux is always a work-in-progress\, and there are many opportunities to leave one’s mark. \nCriteria \nThe Flux Factory residency is tailored to American and international cultural producers of all stripes\, social activists\, academics\, and anyone who’s creative\, adventurous\, and willing to come to New York City to create new bodies of work that are informed by their experience here. We are especially keen to have artists who have a socially collaborative art practice\, and have experience working collectively. \nSelection \nResidents are selected through our Open Call application process. Applications are reviewed by Flux Factory administrators and current residents. Prospective residents with standout applications will undergo an interview via Skype or in-person at Flux Factory\, if within a reasonable travel distance. \nCost \nThere is currently no individual financial support for a studio\, monthly fees for studios range from $725 to $1030 a month\, in addition to utilities. Flux Factory will write letters of invitation for grants and other funding opportunities\, and share opportunities for additional resources if available. \nIf you have any questions\, please contact us at maya@fluxfactory.org \nAPPLY HERE \nPARTNERSHIPS \nWe are pursuing relationships with funding organizations interested in sponsoring individual artists to partake in Flux Factory’s Artists in Residence program.  If you are a supporting organization interested in hosting artists at Flux Factory\, please contact us. \nRECENT RESIDENCY PARTNERS\nARoS Public\nArt Quarter Budapest\nArtiste En Residence\nNew York Foundation for the Arts\nResidency Unlimited\nTaipei Cultural Center in New York\nTrust for Mutual Understanding\nUOB Art Academy\nUkrainian Institute
URL:https://www.fluxfactory.org/event/aritist-in-residence-2021-open-call/
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20201106T080000
DTEND;TZID=America/New_York:20201116T170000
DTSTAMP:20260411T100656
CREATED:20200516T143258Z
LAST-MODIFIED:20201117T213026Z
UID:26747-1604649600-1605546000@www.fluxfactory.org
SUMMARY:A Familiarity That WARMS: New Work by Layo Bright and Kamari Carter
DESCRIPTION:A Familiarity That WARMS:\nNew Work by Layo Bright and Kamari Carter\nNovember 6 – 16\nIn person in the Flux Factory Gallery\, 39-31 29th street\, LIC\, NY* \nOpening: Friday November 6\, 6 – 9pm \nFriday November 6 – Monday November 16\nBy Appointment Only\, email maya@fluxfactory.org \nA Familiarity That WARMS features recent works by Flux Factory alumni Layo Bright and Kamari Carter\, exploring themes of representation\, visibility\, and perception. With sensorial overloads of everything from mass media distractions to screen oriented communication we have been working to adapt to our new “normal”. Over the course of the year\, various national and global events have caused us to pause and reflect on ourselves\, societies and communities. These reflective moments have led to movements for collective action\, racial equality\, calls for solidarity\, and a refusal to be silenced. \nWith the exhibition title taken from “Why I’m No Longer Talking to White People About Race” by Reni Eddo-Lodge; the artists use sound\, prints and installations to create a space for contemplation on issues affecting Black communities in America and the diaspora. Though both artists address different types of injustices to Black bodies—they utilize lines and patterns as a way of abstracting\, connecting\, and questioning our perception of and proximity to police brutality and migration. \n*All visitors are required to wear a face mask and follow social distancing guidelines. 4 people will be allowed in the gallery at one time.  We are committed to maintaining a safe and healthy environment for everyone.
URL:https://www.fluxfactory.org/event/a-familiarity-that-warms/
LOCATION:Flux Factory\, 39-31 29th St\, Long Island City\, NY
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20201205T130000
DTEND;TZID=America/New_York:20201220T180000
DTSTAMP:20260411T100656
CREATED:20200711T192852Z
LAST-MODIFIED:20201224T030938Z
UID:26819-1607173200-1608487200@www.fluxfactory.org
SUMMARY:Transforming America In Real Time! Building Community Through A Pandemic...
DESCRIPTION:Transforming America In Real Time:\nBuilding Community Through A Pandemic\nDecember 5 – 20 \nOpening Day: December 5\, 1 to 6pm EST\nGallery Hours:\nFriday 4 – 8pm\, Saturday & Sunday 1 – 6pm EST \nArtist Talk with Suga Ray and collaborators\nThursday\, December 17\, 7pm EST\nZoom link sent upon Registration \n*All visitors are required to wear a face mask and follow social distancing guidelines.  \nTransforming America In Real Time! features photographs from events organized by Lashawn “Suga Ray” Marston\, of Transform America\, a Queens Native and lifelong Queensbridge representative.These events ranged in their focus. Some photographs document a Social Unrest for Change Demonstration in which Marston and a group of activists and advocates held up traffic at the Queensborough Bridge for 8 minutes and 46 seconds in honor of George Floyd who was killed by a police officer. Another captures a Freedom Tour bus trip and walking tour of Washington DC with youth and adults alike. Ongoing local events include the Wellness Wednesdays Vegan Food giveaways at Queensbridge Projects. \nTransforming America In Real Time! is supported by the Flux Factory Rhizome Project. The Rhizome Project is a commitment to give intentional space to Black voices\, and provide a platform for Black narratives by offering the support needed to help these narratives thrive and evolve. The Rhizome Project is an evolving entity that will begin with a series of programs in 2020 and 2021. \n\nArtist Talk with Suga Ray and collaborators\nThursday\, December 17\, 7pm EST\nZoom link sent upon Registration \nLashawn “Suga Ray” Marston\, born on March 14th\, 1984\, would endure a lifetime worth of pain by the time he was only 20 years of age; including losing his dad and oldest sister to cancer\, being shot\, going to prison\, and witnessing friends killed by friends\, but by a constant reflection of self and his surroundings\, he found his way and since 2008 has been committed to assisting in the elevation of humanity and the liberation of all oppressed people. \n\nSince his transformation\, “Suga Ray” would go on to receive numerous honors and awards from high ranking government officials\, his peers\, and countless others he has worked with\, on various fronts\, from various parts of the World. None of that has changed him as he remains committed to the mission of healing our hurting world\, and thus gives much more than he receives. “Suga Ray” is a peace activist\, food activist\, spiritual guide\, community builder\, public speaker\, universal educator\, program developer\, writer\, artist\, humanitarian\, podcast host\, and Founder of Transform America\, a community based organization operating predominantly in Queensnbridge Houses. \nDannelly Rodriguez is an Astoria Queens native\, an organizer/activist with the Justice for all Coalition and the Queens DSA. He is also a 3rd year law student at the CUNY School of Law. He works to empower public housing tenants to be their best advocates with respect to ensuring dignified housing and fighting to defund the police. He has helped organize rent strikes as a tool to solicit repairs for NYCHA tenants and to demand a Green New Deal for Public Housing. Dannelly is currently working on mutual aid and political education efforts within Queensbridge\, Ravenswood and Astoria Houses to support a network for the self-determination of these communities. As a lawyer he wants to be “the hoods” lawyer and plans on suing landlords and the police to build class power for his community. He fundamentally believes that people should have direct autonomy over their lives\, including their homes\, workplaces and schools and that policy should be shaped to support that. This work and this passion is what led him to begin working with Suga Ray. \n\nAdrian L. Childress was born in Germany to a single mother of four serving in the Army\, and he was raised in Texas. At 18 he joined the United States Marine Corps as an Infantry Rifleman. While completing two combat tours in Afghanistan he picked up his first camera. After capturing fellow Marines he decided to pursue a degree in Photography. Studying at the Academy of Arts University in San Francisco he made a decision to become a photojournalist. He sees so many people/stories go unseen and wants to help bring attention to them using his camera.In 2019\, the “WE UNFUCK THE WORLD” project was born. The concept came from folks talking about how they would “UNFUCK THE WORLD” or what it means to them. Since becoming a photographer\, Adrian’s dream was to move to NYC. In February 2020\, he did. Adrian believes everyone deserves to be seen\, and everyone needs to be heard which is why he wrote the motto for the “WE UNFUCK THE WORLD” project as: \n\n“OUR VOICES\, OUR MOVEMENT\nUNTIL EVERY VOICE IS HEARD\nWE UNFUCK THE WORLD”\nThis work and this passion is what led him to begin working with Suga Ray.
URL:https://www.fluxfactory.org/event/transforming-america/
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20201209T140000
DTEND;TZID=America/New_York:20201209T153000
DTSTAMP:20260411T100656
CREATED:20200804T185232Z
LAST-MODIFIED:20210127T192653Z
UID:26547-1607522400-1607527800@www.fluxfactory.org
SUMMARY:Weekly Phone Banking
DESCRIPTION:Flux Factory Phone Bank\nEvery WEDNESDAY\, 2pm EST\n> Please note\, the day has been changed from Fridays to Wednesdays \nRegister Here\n-Zoom link to be sent upon registration \nHosted weekly by Sarah Dahlinger \nEach Wednesday\, a group of Fluxers meets on Zoom for one hour to support each other in being proactive citizens and members of our respective communities. \nWe will share a document with you that includes various numbers and the relevant scripts\, so you will have all the tools you need to make calls. \nSome of the important actions we’ve called about in the past are: the defunding of the NYPD\, The repeal of the “walking while trans” act in NY state\, the repeal of the Muslim ban\, demanding that the police who killed Breonna Taylor be arrested and more. \nAll of us were new to this when we started\, but every call gets easier. Come with ideas\, feel free to add things to our document\, and be ready to make calls!!
URL:https://www.fluxfactory.org/event/weekly-phone-banking/
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20201217T080000
DTEND;TZID=America/New_York:20201231T233000
DTSTAMP:20260411T100656
CREATED:20200517T155214Z
LAST-MODIFIED:20210105T205005Z
UID:26904-1608192000-1609457400@www.fluxfactory.org
SUMMARY:Purchase A Gift Card for The Flux Factory Fundraising Exhibition
DESCRIPTION:Purchase A Gift Card Today To Support Emerging Artists\nWe are thrilled to announce that we are partnering with Artsy to present the 2021 Flux Factory Fundraising Exhibition\, featuring affordable art by both emerging and established artists from the Flux community.\n \nSee a Sneak Peak of the Exhibition\nTaking place January 12—February 14\, this online exhibition is the best opportunity to support all that Flux Factory does for emerging artists AND acquire breathtaking artworks for yourself or your loved ones. \nThe 2021 Flux Factory Fundraising Exhibition features 30 works ranging from $30 to $1\,800 by emerging and established contemporary artists. Participating artists include Mark Dion\, Natalia Nakazawa\, Chris Bogia\, Jorge Palacios\, Guido Garaycochea and Alisa Sikelianos-Carter among others. \nBuy a GIFT CARD for any amount by December 31 to be redeemed at our Fundraising Exhibition or Make a One Time Tax Deductible Donation before the end of the year.
URL:https://www.fluxfactory.org/event/2020_giftcard/
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210112T080000
DTEND;TZID=America/New_York:20210214T190000
DTSTAMP:20260411T100656
CREATED:20200411T152726Z
LAST-MODIFIED:20210218T210947Z
UID:27055-1610438400-1613329200@www.fluxfactory.org
SUMMARY:2021 Flux Factory Fundraising Exhibition
DESCRIPTION:Flyer made by Cayla Lockwood using “Jeviwear” prints by Jevijoe Vitug\nFLUX FACTORY FUNDRAISING EXHIBITION\nJanuary 12 – February 14\n \nVISIT THE EXHIBITION HERE \nRegister for the Virtual Gala Feb 10th\, 7pm EST \nIn place of our Annual Art Auction\, which would now be in its 14th year\, we are hosting a digital Fundraising Exhibition and Virtual Gala.  \nYou can now support Flux Factory by buying one of over 40 artworks between $40 and $1900. Add some beauty to your home\, and help Flux Factory continue to be a center of community and experimentation. While it may be awhile before we’re eating and dancing together in the Flux gallery\, with your support\, we can dance together into the future.  \nThe Flux Factory Fundraising Exhibition features stunning works by both emerging and established contemporary artists working today: \nSmokie Arce | Amir Badawi | Allen Ball | Chris Bogia | Jeanne Brasile | Deric Carner | Bill Carroll | Kerry Cox | Danny Crump | Sarah Dahlinger | Mark Dion | Ayana Evans | Flux Factory Collective | Guido Garaycochea | Jesse Harrod | Kohlman Harshbarger | Wieteke Heldens | Pablo Helguera | Lexy Ho Tai | Nung-Hsin Hu | Invader | Melissa Joseph | Aya Kakeda | Vaidehi Kinkhabwala | Tina Kohlmann |  Tzu-Huan Lin | Cayla Lockwood | Heather Lynn Johnson | Jemila MacEwan | Lily Moebes | Natalia Nakazawa | Kira Nam Greene | Will Owen | Jorge Palacios | Caroline Partamian | Alex Schechter | Eleanor Scholz | Tod Seelie | Ward Shelley | Alisa Sikelianos-Carter | Jonathan Sims | Swoon | Talajoon | Eleni Theodora Zaharopoulos | Winnie van der Rijn | Jevijoe Vitug | Jaimie Warren | Beatrice Wolert | Amia Yokoyama | Jade Yumang \n\nFLUX FACTORY VIRTUAL GALA\nFebruary 10\, 7pm EST\nZoom link sent upon registration \nThe Virtual Gala will include one hour of programming\, followed by 30 minutes of music by long-time Flux DJ\, Vinyl Richie. \nWe will be honoring two people whose work epitomizes Flux Factory’s values and goals: Queens community activist Lashawn “Suga Ray” Marston and Visual Artist Saya Woolfalk. \nThe event will also include a conversation about art and an ever changing NYC with Saya Woolfalk and Flux Factory Board Member Natalia Nakazawa\, as well as featured artworks from the Fundraising Exhibition\, a raffle and more. \nImage Description: On black\, bold sans serif font reads: Flux Factory Fundraising Exhibition. 1.12 – 2.14 2021. The front of the letters are a very light lilac and fade into a colorful mottling textures of purples\, blues\, pinks and flashes of orange. 
URL:https://www.fluxfactory.org/event/fundraising_exhibition/
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210114T180000
DTEND;TZID=America/New_York:20210126T180000
DTSTAMP:20260411T100656
CREATED:20200520T231631Z
LAST-MODIFIED:20210125T195839Z
UID:27020-1610647200-1611684000@www.fluxfactory.org
SUMMARY:Thank You! With Flowers - An installation by Celeste Wilson
DESCRIPTION:Thank you! With Flowers\nAn installation by Celeste Wilson\nJanuary 14 – 26\n\nOpening Night: Thursday\, January 14th\, 6 – 8pm\nGallery Hours: Thursday and Friday\, 4-8pm & Saturday and Sunday 1-6pm\n*All visitors are required to wear a face mask and follow social distancing guidelines. 4 visitors allowed in the gallery at one time. \nArtist Talk\, January 23\, 2pm\nZoom Link Sent Upon Registration \n\n\nFlux Factory is pleased to be hosting the immersive installation Thank You! With Flowers\, by QCA recipient and local Queens based artist\, Celeste Wilson. Thank You! With Flowers is a wall-paper-like installation on view at Flux from January 14 – 26\, 2021. The installation is made from the purple floral imagery found on un-branded\, generic plastic bags as a response to the urban environment and consumer culture of Queens and life in NYC. In addition\, this solo project includes several constructed bags with the same imagery to allow viewers to see the material in its original form. The gallery is open to the public during viewing hours and there will be a virtual walkthrough of the space and artist’s Q&A on January 23\, 2021 at 2 pm to allow any viewers who are unable to see the installation in person to experience it digitally.\n\n \nCeleste Wilson received her BFA from the Rhode Island School of Design and her MFA at Brooklyn College. Her work lies at the intersection of investigation\, material\, and deconstruction. Recent exhibitions include The Waste Land at Nicelle Beauchene (NY\, NY)\, and Playground at BRIC (Brooklyn\, NY)\, and Uncanny Melodies\, at HiLo Gallery (Catskill\, NY). She has received fellowships at the Creative Glass Center of America at Wheaton Arts (2013) and the Vermont Studio Center (2017)\, UrbanGlass (2017)\, Mass MoCA (2019)\, The Kimmel Harding Nelson Center for the Arts\, and Pilchuck Glass School (both forthcoming). Wilson currently lives and works in Queens\, New York. \nThis project is made possible in part by the Queens Council on the Arts with public funds from the New York City Department of Cultural Affairs in partnership with the City Council.
URL:https://www.fluxfactory.org/event/thank-you-with-flowers/
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210129T130000
DTEND;TZID=America/New_York:20210207T180000
DTSTAMP:20260411T100656
CREATED:20200605T191023Z
LAST-MODIFIED:20211108T072046Z
UID:27040-1611925200-1612720800@www.fluxfactory.org
SUMMARY:The Gift in the Wound
DESCRIPTION:Quarantine Day 121\, 2020 by Megan Bent\nThe Gift in the Wound \nJanuary 29 – February 7\nCurated by Noah Phillips \nGallery Hours*: 1-6 PM EST on Saturday\, January 30 & February 6\nOr by appointment\, email maya@fluxfactory.org \nDownload the Catalog Here \nArtist Talk and virtual exhibition\nFriday\, January 29\, 7pm EST\nZoom link sent upon registration\nOn Friday\, January 29th @ 7pm EST\, join curator Noah Phillips for a live\, virtual celebration of resilience with the exhibiting artists. We will discuss their creative processes\, their work\, and the personal journeys that led them each to face\, and learn from\, their individual challenges. Although our wounds may be unique\, the gifts are collective. Our artists have lived to tell the tale—come listen!⁣ \n“Without the weight given by a wound consciously realized\, [one] will lead a provisional life.” — Robert Bly \n\nParticipating Artists \nMegan Bent || Aloe Corry || Betty Eastland || Valeria Haedo || Angela Rogers || Jonathon Sims || Ellen Wetmore \nThe Gift In The Wound highlights the work of artists who have confronted their fears\, traumas\, and shadows\, and emerged on the other side with unexpected insights\, treasures\, and talents to share with and enrich their communities. The wounds explored vary from the physical to the emotional to the spiritual\, and the media from paint\, fabric\, glass\, and beyond. Each work celebrates an enduring process of transformation reflected in nature\, in myth\, and in our bodies. \nThe Gift in the Wound is Noah Phillips‘ curatorial debut. Before beginning his residency at Flux Factory\, where his work has focused on the intersections of folk ritual and innovative understandings of psychological “plurality\,” Noah was working as a Peer Specialist in the New York City’s public mental health system. He is also a Licensed Master of Social Work and an organizer with the Institute for the Development of Human Arts\, a training institute for transformative models of mental health. \n*The exhibition will take place at Flux Factory’s Garage Bay Gallery. In response to COVID-19\, all visitors are required to wear a face mask and follow social distancing guidelines. We are committed to maintaining a safe and healthy environment.
URL:https://www.fluxfactory.org/event/the-gift-in-the-wound/
CATEGORIES:Residency Shows
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210210T190000
DTEND;TZID=America/New_York:20210210T200000
DTSTAMP:20260411T100656
CREATED:20200420T180132Z
LAST-MODIFIED:20210211T212707Z
UID:27083-1612983600-1612987200@www.fluxfactory.org
SUMMARY:2021 Flux Factory Virtual Gala
DESCRIPTION:REGISTER HERE\nZoom link is sent upon registration.\nFree to attend! \nFlux Factory invites you to join us on February 10th @ 7pm EST\, to celebrate our amazing community and to mark the completion of our Fundraising Exhibition. \nWe are thrilled to announce this year’s Honorees – Saya Woolfalk and Lashawn “Suga Ray” Marston. Suga Ray and Saya will join us for the Gala and Saya will speak to Flux Factory Board Member and visual artist Natalia Nakazawa about their time as emerging artists in a changing New York. \nThe event will run one hour with the participation of Fluxers all around the world and includes hot news about the future of Flux Factory\, a raffle and more. It will be followed by 30 minutes of music by longtime Flux DJ Vinyl Richie. \n\n2021 Honorees\n \n\nSaya Woolfalk is a New York based artist who uses science fiction and fantasy to re-imagine the world in multiple dimensions.  She has exhibited at museums\, galleries\, and alternative spaces throughout Asia\, Europe and the United States including numerous solo exhibitions and group shows at the Studio Museum in Harlem; MoMA PS1\, Long Island City\, NY; the Warhol Museum\, Pittsburgh\, PA.\, the Museum of Contemporary Art\, Chicago\, among many others. \nWorks by the artist are in the collections of major institutions including\, among others\, the Whitney Museum of American Art; the Mead Art Museum and the Weatherspoon Art Museum. Woolfalk is the recipient of numerous honors\, awards\, and commissions. She has delivered numerous public lectures at museums and universities throughout the United States. She is represented by Leslie Tonkonow Artworks + Projects\, New York and teaches in MFA program at Yale School of Art as well as in the BFA and MFA programs at Parsons: The New School for Design. \n\n\n\nLashawn “Suga Ray” Marston\, born on March 14th\, 1984\, would endure a lifetime worth of pain by the time he was only 20 years of age; including losing his dad and oldest sister to cancer\, getting shot\, going to prison\, and witnessing friends killed by friends. Through a constant reflection of self and his surroundings\, he found his way since 2008 has been committed to assisting in the elevation of humanity and the liberation of all oppressed people. \nSince his transformation\, “Suga Ray” would go on to receive numerous honors and awards from high ranking government officials\, his peers\, and countless others he has worked with\, on various fronts\, from various parts of the World. None of that has changed him as he remains committed to the mission of healing our hurting world\, and thus gives much more than he receives. “Suga Ray” is a peace activist\, food activist\, spiritual guide\, community builder\, public speaker\, universal educator\, program developer\, writer\, artist\, humanitarian\, podcast host\, and Founder of Transform America\, a community based organization operating predominantly in Queensnbridge Houses.
URL:https://www.fluxfactory.org/event/2021-flux-factory-virtual-gala/
LOCATION:Via Zoom
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210226T190000
DTEND;TZID=America/New_York:20210226T210000
DTSTAMP:20260411T100656
CREATED:20200729T204119Z
LAST-MODIFIED:20210302T215807Z
UID:27124-1614366000-1614373200@www.fluxfactory.org
SUMMARY:Rhizome Voice: Speakers Series for Black History Month
DESCRIPTION:  \nA Movement Not a Moment: Black Liberation Movements Through Time\nFebruary 12\, 7pm EST\n \nThe first of a three part series of the Rhizome Project’s speaker series for Black History Month\, Rhizome Voice is curated by Queens based artist and activist Trasonia Abbott. \nThe current uprising has given way to a multitude of new local liberation organizations started by young activists. To those young activists we pose some questions: How was this mobilization possible in such a short time? How were the current organizers influenced by previous movements? \nHow does this experience compare to movements of the past – we invite experienced (our elder) activists to join the conversation. What similarities to your own activist beginnings\, in spirit and drive and urgency\, do you feel from the latest iteration of the movement? \nJoin us for an honest conversation with organizers Nathylin Flowers Adesegun and Fayola Fair as they talk about their experiences\, influences and future goals. They will bridge the gap between the decades of the Black Liberation Movements within the United States\, connecting past movements to the current one with the hopes of rekindling victories and sharing tactics to keep the current movement alive. \nSPEAKERS \n\nNathylin Flowers Adesegun has been an activist\, an artist\, and a community leader for her entire life. She started organizing with the Scranton Youth Chapter of the NAACP\, marching with Dr. Martin Luther King on Washington DC in 1963. Back then they were fighting for jobs\, justice\, and housing\, and she’s still fighting for jobs justice and housing. For the last 3 years\, Ms. Flowers has been a leader with VOCAL-NY fighting for a home for every New Yorker.  Although she is most famous for confronting the Mayor at the gym last year\, her role at VOCAL-NY goes much deeper. Flowers also helps organize and run meetings and actions\, as well as lobbies elected officials on at a local\, state and federal level. A brooklyn resident of over 35 years she is an active performer in the New York City theater\, tv\, and film scene. \n\nFayola Fair (she/they) is an educator\, curator\, activist and organizer from Jamaica\, Queens who works to center and uplift Blackness in all iterations. Fayola is an active member of the Queens community fridge network\, volunteering and organizing with the Jamaica Community Fridge. Fayola is also the creator and curator of the Reading for Black Lives Project and a part of South Queens Women’s March. Fayola hopes to follow in the footsteps of radical Black activists who dared to envision a new world. \n\n\nThe State of Black Art in and out of The Institution\nFebruary 19th 2021 7-8:30pm\n \nAt this moment we\, as Black artists find ourselves at a crossroads\, with the choice of deciding for ourselves where the center of gravity for Black Art is to be. High Art Society has its allure but it comes with implicit bias and it’s own deeply entrenched investments in the world wide oppression of BIPOC\, In this discussion\, we ponder our options: keep working within institutions that have the resources we require as artists but force us to play by the rules of our oppressors or forge a new path outside of it. \nJoin us for a conversation between two artists who will discuss working within Institutions and outside of them\, ruminating on the pros and cons of the two worlds and the freedoms that may lie within each. \nSPEAKERS \nJonell Joshua is an illustrator based in Brooklyn\, NY specializing in editorial illustration and animation. Jonell graduated from Pratt Institute in 2018 with a Bachelor’s Degree in Communications design majoring in Illustration. Soon after graduating\, Jonell started her career in package design while also working on freelance illustration projects. After leaving the package design industry Jonell transitioned to Higher Education\, working as the Assistant to the Chair in the Art and Design Education Department at Pratt Institute. There\, she works with\nstudents pursuing careers as Art Educators while continuing to freelance. Jonell’s work has been recognized by the Society of Illustrators and American Illustration: International Motion Art Awards and has worked with clients such as The New York Times\, NPR\, Civilrights.org\, and The Washington Post. Her work can be found on www.jonelljoshua.com \n\n2020-2022 Threewalls RaDLOW fellow Felicia Holman is a native Chicagoan\, independent cultural producer/facilitator\, and a co-founder of Afrodiasporic feminist creative collective Honey Pot Performance. She is also a 2020-2021 Buddy Research and Performance resident artist and a member of the Co-Prosperity Programming Committee (CoPro ProCo). \nFelicia’s creative/ professional and social practices are firmly grounded in critical thought\, intersectionality\, community building and embodied storytelling. Her recent projects include commissioned performances for Illinois Humanities and the 5th annual Instigation Festival\, as well as written contributions at See Chicago Dance\, Performance Response Journal\, 6018North\, and The Quarantine Times (published by the Public Media Institute).  \nFelicia relishes her artrepreneurial life and sums it up in 3 words—“Creator\, Connector\, Conduit”. \n  \n\nCelebration of Black Life Cypher\nFebruary 26th 2021\, 7 – 9PM EST\n \nA night of rejoicing in Black resilience and artistry\, Flux Factory will be providing a platform for artists to come together to celebrate through art\, music and spoken word\, in an open mic / cypher hosted by Nonbinary Artist / Poet / Organizer\, Trasonia Abbott. \nThis cypher is open to Black artists of all creative backgrounds\, once signed up the artist will be given up to 5 minutes to show off the art of their choosing.   \n\nAll events are curated by Queens based artist and activist\, Trasonia Abbott.\nTrasonia is a Nonbinary Visual Artist / Poet / Community Organizer from Richmond\, Virginia. They graduated from Pratt Institute in 2020 with a BFA in Creative Writing and a minor in Film and soon after became one of the cofounders of Queens Liberation Project\, a mutual aid organization in West Queens.
URL:https://www.fluxfactory.org/event/rhizome-voice-2021/
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210311T170000
DTEND;TZID=America/New_York:20210311T183000
DTSTAMP:20260411T100656
CREATED:20200804T191601Z
LAST-MODIFIED:20210312T153330Z
UID:27252-1615482000-1615487400@www.fluxfactory.org
SUMMARY:The Universe is Expanding: Emergent Performance by Nova Scott-James
DESCRIPTION:REGISTER HERE\nA Digital Performance via Zoom \nFilmmaker\, medium\, artist\, and innovation doula Nova Scott-James will share media and process documentation from three performance pieces\, A Eulogy For The Lenox Lounge\, The Imposter\, and Freeing The Caged Bird. Each of these performances involve an invocation of death as it relates to the transmutation of memories. \n1. Eulogy For The Lenox Lounge (2017) \nA soulful melody played on a fire escape above the demolition site of the Lenox Lounge\, a historic Jazz club in Harlem\,NYC stealthily demolished in 2017 in a massive wave of gentrification.  Featuring Tivon Pennicott on Saxophone. Directed and Curated by Nova Scott- James. \nA cultural thank you and acknowledgement of The historical Lennox Lounge Jazz club in Harlem\, which was demolished in 2017. \nA special thank you to Erica Johnson. \n2. The Imposter (2018)\nThe artist transmutes the trauma of her past by performing in white-face as the male teacher that sexually abused her as a child. \nPerformed by Nova Scott-James; Featured in the short film Nova: A New Spelling of My Name\, 2020 \nCamera by Jaime Inglehart\, Sholeh Asgary\, Catalina Alvarez\, Natalie Tsui; Makeup by Kyle Kreuger; Special Thank You to Timmie Larode \n3. Freeing The Caged Bird (2020)\nAn exploration of the work required to honor and translate collective memory through intuitive movement and talking to plants. Performed by Nova Scott-James. \nCamera by Tanya Jackson\, Nova Scott-James; Performance at the corn field at Sweet Freedom Farm\, Hudson Valley\, NY; Bird mask made by mask: Lexy Ho-Tai @Lexymakesthings; Special thank you to Sweet Freedom Farm and Charlotte Azad \n\nThe Universe is Expanding was made through New Work Grant from Queens Council on The Arts (2020 grant recipient). \n \n 
URL:https://www.fluxfactory.org/event/the-universe-is-expanding/
LOCATION:Via Zoom
ATTACH;FMTTYPE=image/jpeg:https://www.fluxfactory.org/wp-content/uploads/2021/02/Nova-Performance-Feature.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210316T130000
DTEND;TZID=America/New_York:20210331T180000
DTSTAMP:20260411T100656
CREATED:20210225T213305Z
LAST-MODIFIED:20211108T072029Z
UID:27265-1615899600-1617213600@www.fluxfactory.org
SUMMARY:There Is Something Here: Solo Exhibition by Carlos David TC
DESCRIPTION:Open Gallery Hours: Friday – Sunday\, 1 – 6pm EST\nOr by appointment\, email maya@fluxfactory.org \nMarch 25\, 6 – 7pm EST\nJoin Carlos and other Queens based Artists for Creative Conversations organized by QCA\nRegister Here\nThere is Something in the Windows\nVideo in the Flux Windows @ 7-10 PM EST\,\nViewable from the sidewalk*All visitors are required to wear a face mask. Four visitors are allowed in the gallery at one time.* \nMarch 27th @ 3-7 PM EST\,\nThere Is Something Here Closing Reception\nRegister here \n\nThere Is Something Here looks at the components of filmmaking through the lens of the artist’s process\, and the challenges of mastering artistic craft while wrestling with self doubt\, lack of experience and fear of failure. Originally titled: Nothing to See Here\, Carlos David TC leaves behind the self-deprecation that many artists experience to instead focus on celebrating the process of growth and exploration. \nAfter a year of lockdowns\, quarantines\, and unfinished projects There Is Something Here examines the gap between a creative idea and its full realization\, reveling in the uncomfortable but generative midpoint of the filmmaking process. From initial sketches\, to editing\, color grading\, sound mixing and everything in between\, there is something here and Carlos wants you to see it with him.Carlos David TC’s solo exhibition features installations of unfinished\, deconstructed\, incomplete\, raw\, finished and mastered video work\, conceived in collaboration as an Artist-in-Residence at Flux Factory during the global COVID-19 pandemic. The works will be presented via text\, color waveforms\, sound and traditional moving image. Some of the works include: My Quarantine Shoes\, The Self* Tapes\, Pass The Hours\, Spencer’s Gift and the premiere of the trailer for his newest short film: Jevi from 9 to 11.Accompanying the exhibition will be a video series There Is Something In The Window\, a series of short films on display from 7pm to 10pm in the main window in the Flux Factory building. (No appointment required)\nJevi from 9 to 11 is a fictionalized documentary about a painter who works at a museum during the pandemic and is set to be released in October 2021. The short film is part of a series called Artist* from 9 to 5 which follows immigrant artists from “9 to 5” the traditional American business hours.\n\n\n\n\n\nCarlos David TC (born Caracas\, Venezuela\, 1984) is a Queens based artist and experimental filmmaker. His work explores identity in the digital space\, coming of age in the era of reality tv\, and mobile content creation as a means of communication.\nBy combining humor\, alter egos\, self interviews\, obsolete technologies and infinite digital storage the artist attempts to blur the line between performance and reality by experimenting with the documentation of the “process behind the work” as a performance of its own. The constant need to articulate an identity through documentation produces different sets of self-portraits that are presented via moving image\, screenshots\, screen recording\, films\, memes\, music videos\, text based work\, performance and site-specific installations.
URL:https://www.fluxfactory.org/event/there-is-something-here/
LOCATION:Flux Factory\, 39-31 29th St\, Long Island City\, NY
CATEGORIES:Residency Shows
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DTSTART;TZID=America/New_York:20210401T130000
DTEND;TZID=America/New_York:20210427T180000
DTSTAMP:20260411T100656
CREATED:20210316T173917Z
LAST-MODIFIED:20211108T072020Z
UID:27332-1617282000-1619546400@www.fluxfactory.org
SUMMARY:OnlyPods: New Works by Remi Dalton & Jevijoe Vitug
DESCRIPTION:Open Gallery Hours\nApril 14 – 27\nFriday – Sunday 1 – 6pm EST\nWeekday hours by appointment\nemail maya@fluxfactory.org \nOpening Reception\nApril 15\, 5 – 9pm EST\nREGISTER HERE\nWindmill Community Garden \n  \n\nApril 1 – April 14\n7:30 – 9:30pm EST\n\nView Remi’s Studio Live Stream EVERY NIGHT  \nView Jevi’s Studio Live Stream EVERY NIGHT \n\nLive Streams Projected in the Flux Factory Windows\n39-31 29th street\, LIC\, Queens \n\n\nFollow Remi Dalton and Jevijoe Vitug at OnlyPods. Like and subscribe to new channels of work that employ the translational essence of the meme. Watch as these artists labor on live-streaming platforms. We can all be heroes just for one stream. Username: ArtHistoryPrisoner and username: ArtHistoryguard empower streamers through a collaborative process of framing. Paintings are created that combine private\, public and aspirational space in novel ways. Lags in wifi provide frames for social bonding from the hilarious to the devastating. \nOnlyPods\, a collaborative exhibition by Remi Dalton and Jevijoe Vitug is on view from April 14th – April 28th. This exhibition features a selection of paintings by each artist\, video projections\, and a large-scale collaborative painting. Dalton and Vitug examine what live-stream culture means to our conception of private spaces. The exhibition’s title refers to the popular internet subscription service OnlyFans. “Fans” is replaced with the word “Pods” which refers to the artist’s studio in which they live and work. Like OnlyFan’s creators\, artists must delicately balance spectacle and sincerity to protect their vulnerable economic position. Both Dalton and Vitug explore this balance\, as well as the blurring of the boundaries of aesthetics and ethics caused by social media and live-streaming platforms. \nThe medium of oil paint historically imparts heroism on its subjects. Both Dalton and Vitug use this aspect of their medium along with the translational essence of the meme to depict worlds in which the promise of going viral induces greatness and madness. Dalton’s Dream Room paintings depict the cluttered refuge of a contemporary romantic hero who isolates themselves halfway between the digital and physical realms. Vitug’s #indigenizemememoji.2020 encodes pandemic memes based on the socio-political cult of personality with a presence of indigeneity. \nIn 2021\, both artists lived and worked together in New York. During this time Dalton and Vitug created a series of portraits\, live-streamed with studio spaces\, and collaborated on the largest painting in the exhibition entitled Sleepofreasonxxx (after Francisco Goya\, after Manuel Ocampo.) Dalton’s portraits\, the Twitch Glitch paintings\, depict female Twitch streamers adorned in a\nmanner that is equally informed by early renaissance painting and fangirl culture. Femme performance and fetishization on Twitch is the subject of Dalton’s work\, which celebrates the bravery of female streamers in showing vulnerability and angst on a male-dominated platform. #zoompintados\, a series of portraits by Vitug\, honors the tattooed indigenous ancestors known as Pintados from his country of birth and the people who are in his current circle of friends and neighbors in New York City. Portrait references are screenshots from Zoom which are digitalized and printed on canvas. Subsequently\, Vitug paints on them in an indigenous mark-making manner using fluorescent pigments and invisible ink to create a three-dimensional effect to reference the supernatural. By tying two groups separated by time and space in which Vitug found support and community\, he venerates them both. \nBoth Dalton’s and Vitug’s painting vocabulary are combined in Sleepofreasonxxx (after Francisco Goya\, after Manuel Ocampo.) This large-scale painting depicts a streamer haunted by demons while resting during a live stream. Vitug’s work as a guard at the Met Museum brought him in close contact with the original print by Goya\, which both artists were able to see in person. The artist’s reimagining of this print\, which also takes from Ocampo’s 2017 version of the classic\, depicts the isolation\, heroism\, and vulnerability of live streamers during a global pandemic. The fraught nature of live-streaming has been personally experienced by both Dalton and Vitug. Before this exhibition\, both artists publicly streamed their studios for two weeks every night. This performance\, which was meant to open the artists’ studio to a more collaborative working atmosphere during a time of physical distancing\, challenged both artists immensely. Over just the short span of this live-streaming project\, the artists were forced to address acts of sexism\, racism\, and humiliation. \nOnlyPods also features video projections of recorded footage from Dalton’s and Vitug’s live streams. These videos are projected publicly from 7:30 pm EST to 9:30 pm EST from April 1st – 28th at Flux Factory. These videos document traditional places of seclusion being transformed into portals of connection in real-time. This transformation is accompanied by uncomfortable blends of authenticity and performance. Taken together\, Dalton’s and Vitug’s works along with their extensive research present insight\ninto what the artist’s evolving role in a digital society might entail. Lags in wifi frame the hilarious and the devastating. Painting and performance become muddled into digital apparitions which take on new lives without their authors. \n \nRemi Dalton and Jevijoe Vitug\, Sleepofreasonxxx (after Francisco Goya\, after Manuel Ocampo\, 2021\, Oil on Scenic Backdrop\, 84″ x 84″ \nRemi Dalton (b. 1991) is a San Diego-based artist. Her work investigates how internet culture has blurred the boundaries between art and life\, aesthetics and ethics. Her practice is centered around painting\, but also includes video\, mixed media\, and installation. Remi received her Master of Fine Arts in Painting from San Diego State University in 2019\, and dual Bachelor’s degrees in Visual Arts and Chemistry from the University of San Diego in 2014. The artist has received awards and residencies including the Windgate Fellowship\, the Art Produce Residency in San Diego\, CA\, and the NTC Foundation’s Emerging Artist Residency\, which provided free studio space for 18 months in Liberty Station’s Arts District in San Diego. Remi has taught studio classes at the University of San Diego\, San Diego State University\, and Lux Art Institute. She has shown in multiple exhibitions in San Diego and Los Angeles\, CA. \nJevijoe Vitug is a Queens-based artist that creates paintings\, performance\, and community projects as an avant-garde strategy to make labor visible\, indigenous legacy\, and the forgotten history of people of color. Jevijoe earned his MFA dual degree in Studio Arts and Design and Technology from San Francisco Art Institute in 2015 and his work has been included in exhibitions at the Cultural Center of the Philippines (2005\, 2006)\, Singapore Art Museum (2006)\, Diego Rivera Gallery\, San Francisco\, CA (2009)\, Contemporary Arts Center\, Las Vegas (2012)\, Staff show at The Metropolitan Museum of Art\, NY (2017\, 2019)\, Queens Museum\, NY (2018)\, San Diego Art Institute\, San Diego CA (2019). His performance projects have been presented at NIPAF\, Japan (2004)\, Koret Educational Center at SFMOMA\, San Francisco\, CA (2008)\, London Biennale organized by David Medalla (2012\, 2014)\, Flux residency at AroS Museum\, Denmark (2018)\, Museum Mile at The Africa Center and El Museo Del Barrio (2019)\, UP Vargas Museum (2019). In 2019\, Vitug is a recipient of the Queens Arts Fund New Works Grant and an artist-in-residence of The Laundromat Project’s Create Change Program. He is a member of Museum Union Art Workers\, District Council- 37 Local 1503 and currently serves in the community resident board of directors of Flux Factory.
URL:https://www.fluxfactory.org/event/onlypods-by-remi-dalton-jevijoe-vitug/
LOCATION:Flux Factory\, 39-31 29th St\, Long Island City\, NY
CATEGORIES:Residency Shows
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210410T130000
DTEND;TZID=America/New_York:20210410T200000
DTSTAMP:20260411T100656
CREATED:20210111T210818Z
LAST-MODIFIED:20211108T072119Z
UID:27373-1618059600-1618084800@www.fluxfactory.org
SUMMARY:THREADS
DESCRIPTION:Gallery Viewing @ 1-5 pm\nPoetry Program @ 5-7 pm\nVideos screened @ 7 pm\n\nTo join us for the Poetry Program at the Windmill Community Garden (Across the street from Flux Factory)\n\n\nPLEASE RSVP HERE \n\n\nFlux Factory is happy to be hosting THREADS\, an exhibition curated by an international collective of arts organizations from Bogotá\, NYC\, Manila and Chicago: Bliss on Bliss Arts Projects\, Maleza Proyectos\, Nodo 51 Area Cultural\, Poets of Queens and Yara Arts Group. \nThe THREADS Project and its expanding global network helps artists and audiences establish a dialogue between images and poetry to find greater connections and understanding in these difficult times. This exhibition at Flux Factory\, is an introduction to a THREADS future and an opportunity to stand in solidarity against the violence being enacted upon our Asian family members and communities. \n\nTHREADS is curated by Virlana Tkacz\, founding director of Yara Arts Group\, a resident company at La MaMa Experimental Theatre in New York since 1990. Olena Jennings\, the curator and founder of Poets of Queens\, acts as poetry\ncurator. \nThreads clothe us\, threads expose us\, threads bring us together. \nParticipating Artists\nCatalina Bolivar\, Juliana Canal\, Waldemart Klyuzko\, Cayla Lockwood\, Isabella Lopez\, Ged Merino\, Nadenka Art Group\, Aze Ong\, and Jevijoe Vitug. \nParticipating Poets \n\nPichchenda Bao\, Rosebud Ben-Oni\, Olena Jennnings\, and Wanda Phipps. \n\n\nOne of the homes for THREADS is Bliss on Bliss Art Projects founded by Ged Merino. Bliss on Bliss Art Projects has been bringing arts and culture to the Sunnyside neighborhood in Queens since 2011. It provides a venue for new and established artists. The shows at Bliss on Bliss Art Projects have consistently led to cross cultural collaboration. \n\nOther core participants of THREADS include Nadenka Art Group made up of members from Omsk\, Novosibirsk\, Moscow\, and St. Petersburg. They were formed in 2014 in Omsk. The group includes Anastasia Makarenko\, Masha Alexandrova\, Maria Rybka\, Nadezhda Valetskaya\, and Alena Isakhanyan. Videos of their textile book projects will be shown at Flux Factory. The poets will address awareness of anti-Asian sentiment and acts. Artists Cayla Lockwood and Jevijoe Vitug will unveil a banner to encourage action against Asian hate.\n\nFinally\, videos by Waldemart Klyuzko\, Aze Ong\, and Nadenka Art Group will be shown\, bringing another aspect of the textile art to life. In his video\, Waldemart Klyuzko weaves the words of Serhiy Zhadan’s poem “Home” in tape. Aze Ong performs to Wanda Phipps reading an excerpt from her poem “Womb Dreams.” Nadenka presents textile books that allow us to experience the pages along with them.
URL:https://www.fluxfactory.org/event/threads/
CATEGORIES:Residency Shows
ATTACH;FMTTYPE=image/jpeg:https://www.fluxfactory.org/wp-content/uploads/2021/01/Threads_feature02.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210429T180000
DTEND;TZID=America/New_York:20210502T180000
DTSTAMP:20260411T100656
CREATED:20210405T181254Z
LAST-MODIFIED:20210504T173353Z
UID:27456-1619719200-1619978400@www.fluxfactory.org
SUMMARY:A Divergent from the Magnetism of Whiteness: Dealing with the Hungry Ghost
DESCRIPTION:Pop-Up Exhibition – April 29 – May 2\nCurated by Denae Howard\n\nGarden Reception –> April 30\, 6 – 8PM EST \nRSVP FOR GARDEN RECEPTION \nOpen Hours\nFriday April 30\, 6 – 8pm\nSaturday & Sunday\, May 1 & 2\, 1 – 6pm EST \nDivergent – moving or extending in a different direction from each other. \nInvestigating divergent evolution and the collective subconscious of black artists. Tying strands of humanistic theory while contending with an imagined post capitalistic society. \n“Only within the open space created by dialogue whether conducted with our neighbours\, with history with nature or the cosmos\, can  human wholeness be sustained. We are not born human in any but biological sense\, we can only learn to know ourselves and others and thus be trained in the ways of being human. We do this by immersion in the ocean of language and dialogue fed by the springs of cultural tradition” – Buddhism Day by Day: Wisdom for Modern Life by Daisaku Ikeda. \nMoving away from the norms of traditional communication and responding to the follies of society at large as we manifest new & erase old and now foreign traditions. (Ie: wearing covid masks and adopting body cams – while arguing over Kim K’s choice to wear cornrows and her and white magazines identify them as boxer braids) <Understanding the use of pedagogy and pedigree – while identifying who is actually protected under diplomacy> \nThis show is a conversation between black artists establishing self identity in the crux of the absolutisms associated with Blackness while defying the devices nature of the white gaze. \nParticipating Artists\nARTSCHOOLSCAMMER | Marq Bentley | Mikey Burns | INEZ THE Sun – Nija Inez |  Kesiena Onosigho | Wokie Masaquoi | Ajani Russell \nA Divergent from the Magnetism of Whiteness: Dealing with the Hungry Ghost is supported by the Flux Factory Rhizome Project. The Rhizome Project is a commitment to give intentional space to Black voices\, and provide a platform for Black narratives by offering the support needed to help these narratives thrive and evolve.
URL:https://www.fluxfactory.org/event/the-hungry-ghost/
LOCATION:Flux Factory\, 39-31 29th St\, Long Island City\, NY
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210506T170000
DTEND;TZID=America/New_York:20210509T180000
DTSTAMP:20260411T100656
CREATED:20210406T173014Z
LAST-MODIFIED:20211108T072008Z
UID:27404-1620320400-1620583200@www.fluxfactory.org
SUMMARY:Don’t Let It Slip Through Your Fingers: Solo Exhibition by Dario Mohr
DESCRIPTION:Gallery Hours\nThursday\, May 6\, 5 – 8pm\nFriday\, Saturday & Sunday\nMay 7\, 8 & 9\, 1 – 6pm \nOpening Reception\nMay 6th\, 5 – 7pm EST\nAt the Windmill Community Garden\n(Across from Flux Factory)\nRSVP HERE\n \n\nAudience members are invited to participate in a letting go ritual using a grief journal that will sit on a podium during the reception. \nArtist Talk & Conversation\nMay 7th\, 5pm– Via Zoom\nInterview and conversation with the artist\nRSVP HERE \nExhibition Description\n“Don’t Let It…” “Slip Through…” and “Your Fingers” includes three acrylic painted and assembled works that are inspired by the loss of a cherished object. Objects are endowed with the power of reference by the signifier. This can include memories\, philosophies and in some cases\, a spiritual connection. Very often when an object is lost\, so too are the memories that they inspire. This can leave us spiraling into despair and grief.\n\n\nThis work was created in an attempt to fill this void by memorializing what was lost\, and serve as an example of the power objects have over us: how we process their loss\, create something new to continue their legacy and deepen the emotional power that the original object stood in for. \nArtist Bio\nDario Mohr is a New York City based interdisciplinary artist. Born in 1988\, Mohr received a BFA from Buffalo State College\, and an MFA from The City College of New York. He creates interactive sanctuary experiences using an interdisciplinary approach.  In addition to work created in painting\, sculpture or made digitally\, he often includes assembled objects to build immersive “sacred spaces”.  These often exist in unexpected places\, using mundane objects.  Because objects are endowed with the significance that the viewer blesses it with\, his work can provide a lot of space for divergent perspectives and interpretations.  The recycling of old work is also fundamental to Mohr’s practice. You will see previously created paintings and sculptures as well as the reuse of objects\, textiles\, cushions and other elements in future works.  Sometimes a previously used item provides the perfect juxtaposition to enhance or add depth to new explorations. In addition to his individual art practice\, he is also the founder and Director of AnkhLave Arts Alliance\, Inc. which is a non-profit for the recognition and representation of BIPOC artists in contemporary art. 
URL:https://www.fluxfactory.org/event/dont-let-it-slip-through-your-fingers/
LOCATION:Windmill Community Garden\, 39-22 29th St\, Long Island City\, NY\, 11101\, United States
CATEGORIES:Residency Shows
ATTACH;FMTTYPE=image/jpeg:https://www.fluxfactory.org/wp-content/uploads/2021/04/Flux_Feature.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210515T130000
DTEND;TZID=America/New_York:20210523T180000
DTSTAMP:20260411T100656
CREATED:20210511T164631Z
LAST-MODIFIED:20211108T072134Z
UID:27520-1621083600-1621792800@www.fluxfactory.org
SUMMARY:Cada Cabesa Es un Mundo: Solo Exhibition by Diego Espaillat
DESCRIPTION:Gallery Dates: May 15 – 23\nGallery Hours*\nSat & Sundays\, 1 – 6pm\nWeekdays by appointment\nEmail maya@fluxfactory.org for appointments \nOpening Reception\nSaturday May 15\, 3 – 6pm\nAt the Windmill Community Garden\nRSVP Here \nArtist Talk via zoom\nWednesday\, May 19\, 7pm EST\nRSVP Here \nJoin Flux Factory Artist-in-Residence Diego Espaillat for the culminating exhibition of his Residency. \n* Please note: Masks inside the gallery are required. \nExhibition Description\n\n\n\n\n“Cada Cabesa Es Un Mundo\,” a phrase often used by one of Diego’s Uncles in Dominican Republic\, is offered as a framing for the sculptures in this exhibition. Concerned with the lineage and evolution of Spanish Caribbean mask-making and culture\, Diego Espaillat seeks to insert himself into the often-changing art form by working through the forms in his personal fashion. \n\n\nThe mask-making histories are relatively new\, still evolving\, and grow out of a mix of traditions\, including Spanish Catholic holidays and Yoruba spirituality. In creating these pieces\, Diego uses the laborious traditional paper mache process\, reframed through his own creative style. These masks are not made to be worn\, they are instead sculptural objects. By committing himself to the specific lineage of this metamorphic art form as a diasporic member of Dominican culture\, Diego adds his lived experience to this unfolding tradition and explores his own identity through process. \n\n\n\nThe ceramic pieces in the exhibition are situated in the long tradition of earthenware\, and recognizing that Spanish-American-Caribbean culture remains connected to its pre-Colombian roots. Again\, Diego seeks to develop novel understandings of tradition by engaging with form\, process\, and history from a personal perspective. \n\n\n\n  \nArtist Bio\nDiego Espaillat\, born 1994 graduated from Lyme Academy College in 2017. He currently lives and works in New York City. Diego is a sculptor whose work is inspired by objects and activities that collide between the Caribbean & New York.
URL:https://www.fluxfactory.org/event/cada-cabesa-es-un-mundo/
CATEGORIES:Residency Shows
ATTACH;FMTTYPE=image/jpeg:https://www.fluxfactory.org/wp-content/uploads/2021/04/Diegos_LrgFeature.jpg
ORGANIZER;CN="Flux Factory":MAILTO:nat@fluxfactory.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210528T170000
DTEND;TZID=America/New_York:20210531T180000
DTSTAMP:20260411T100656
CREATED:20210507T192110Z
LAST-MODIFIED:20211108T071954Z
UID:27819-1622221200-1622484000@www.fluxfactory.org
SUMMARY:To Hold Water: Solo Exhibition by Anika Todd
DESCRIPTION:Gallery Hours*\nFriday\, May 28\, 5 – 8pm\nSaturday – Monday\, May 29 – May 31\, 1 – 6pm \nArtist Talk\nFriday\, May 28\, 5pm ET\nAnika Todd will speak about the history of the view from above.\nRSVP Here \nLive event During the 29th Street Block Party\nMay 31\, 2–6pm\nThis event is part of the exhibition Din Din\, a series of free\, socially-distanced outdoor public events which use food and art to build community. \nYou can read more about the Block Party here. \nWindow Screening\nMay 28 – 31\, After Dusk\nVideos from To Hold Water will screen in the front window of Flux Factory at 39-31 29th Street\, LIC\, NY. \n*Please note: Masks inside the gallery are required. \nTo Hold Water\nTo Hold Water is an exhibition that considers the paradox of ownership. Presenting a challenge to Western traditions of private property and surveillance\, the works investigate the implications of the human impulse to survey\, to organize\, and to control in an effort to understand that which is uncomfortably unknown.  \nThe video work at the exhibition’s center\, Self Portrait\, exposes the implications of a traditional god’s-eye-view. While one camera submerges into the murky waters of the East River\, a second flies on a set of balloons above Wall Street\, creating a two-channel video that tracks the artist’s efforts to extend sight. The humble technology of the balloons shifts our experience of the conventional “God’s eye-view” characteristic of military and government-controlled technologies. The unsteady image of the work subverts this customarily controlled top-down perspective\, creating a portrait of precarity in the effort to understand oneself and one’s world from above.  \nArtist Bio\nAnika Todd (b.1992\, Boston\, MA) received her BFA from Massachusetts College of Art and Design\, and her MFA from The University of Texas at Austin. Todd is a sculptor/media artist investigating landscape and ownership; Todd’s work functions through acts of trespass — simultaneously enacting and challenging systems that oppress\, compartmentalize\, and own in order to control. Todd’s work has been presented in solo exhibitions at VisArts Center\, Richmond\, VA and Co-Lab Gallery\, Austin\, TX featured in the Washington Post (2018) and Glasstire (2019) respectively. She has been selected to participate in numerous residencies including Salem Art Works (2017)\, Haystack School of Craft and Design (2018)\, and Skowhegan School of Painting and Sculpture (2019).
URL:https://www.fluxfactory.org/event/to-hold-water/
CATEGORIES:Residency Shows
ATTACH;FMTTYPE=image/jpeg:https://www.fluxfactory.org/wp-content/uploads/2021/05/Anika_Todd_LrgFeature.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210531T140000
DTEND;TZID=America/New_York:20210531T180000
DTSTAMP:20260411T100656
CREATED:20210511T175540Z
LAST-MODIFIED:20220914T165031Z
UID:27670-1622469600-1622484000@www.fluxfactory.org
SUMMARY:Din Din: 29th Street Block Party
DESCRIPTION:This Block Party is the opening event for Din Din\, a series of free\, socially-distanced outdoor public events which use food and art to build community. Location: 39-22 29th St\, Long Island City \nParticipating Artists \n\n\n\nCooking demo from Kim Calichio’s The Connected ChefBreakaway by Heather KapplowHarvest Mandalas by Nadine NelsonWill Owen’s “Radio Repast LIVE!”Blowing Sugar [Glass] performance  吹【糖】玻璃 by Yiyi WeiThe Street Vendor ProjectThe Nexus 29th Street Free Fridge and tabling from neighboring Queens free fridgesDJ Vinyl RichieTo Hold Water: a Solo Exhibition by Anika Todd in the Flux Factory gallery
URL:https://www.fluxfactory.org/event/din-din-block-party/
LOCATION:Flux Factory\, 39-31 29th St\, Long Island City\, NY
ATTACH;FMTTYPE=image/png:https://www.fluxfactory.org/wp-content/uploads/2021/05/dindin_website_headers_blockparty.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210531T200000
DTEND;TZID=America/New_York:20210626T230000
DTSTAMP:20260411T100656
CREATED:20210328T205855Z
LAST-MODIFIED:20220914T165202Z
UID:27754-1622491200-1624748400@www.fluxfactory.org
SUMMARY:Din Din: Quick Slice by Lily Baldwin
DESCRIPTION:Nightly Screenings Beginning at DuskLocation: 39-31 29th St\, Long Island CityLily Baldwin’s film installation “Quick Slice” will screen every night in Flux Factory’s front window with free slices every Friday in June (limited pizza! First come\, first serve). \nThis event is part of the exhibition Din Din\, a series of free\, socially-distanced outdoor events which use food and art to build community. \nFilm Description\n“Quick Slice”\, 23 minutes on loop\, 2019 \nTHINGS AREN’T WHERE THEY’RE SUPPOSED TO BE. \nNine lonely strangers converge over a quick slice inside a casual\, no bullshit\, non-committal community hub— the pizza shop. When a “contaigent” enters\, dance turns inconsequential moments into idiosyncratic gestures\, toggling between task and choreography. A subtle\, disorientating use of editing techniques and photographic devices manipulating time craft a visceral and sonically rich dreamscape. \n“Quick Slice” scales to respective environments\, utilizing available architecture and unsuspecting surfaces. Caught between the character’s gaze\, the viewer catches shards of the story projected onto their body. These seemingly accidental screenings encourage an unadulterated and kinesthetic reception of the project. \nInspired by Netta Yerushalmy’s Paramodernities Directed by Lily BaldwinProduced by Brighid GreeneEdited by Lily Baldwin\, Sara SowellVideo installation design consulting by Joseph SeamansSound Mix by Mark degli AntoniCinematography by Ben WolfAssistant Camera Sanjay SinghStills by Courtney DenkHair by Takeo Suzuki|Makeup by Hiro YonemotoMakeup Assistant Ken SuzukiFeaturing designs by PavonProduction Assistants Rishauna Zumberg\, Jaanelle Yee \nStarring Lily Baldwin\, Henry Chesley\, Geneva Frazier\, Dean Melaas\, Toni Melaas\, Katharine Padulo\, Wally Padulo\, Angie Pittman\, Peggy Schneider\, Gus Solomons Jr.\, Amy Meisner Threet \nThanks to New York Live ArtsFiscally sponsored by Los Angeles Performance Project \nArtist Bio\nBased in NYC\, Berlin and LA\, Lily Baldwin is known for her compelling\, intricate narrative forms. Her works have screened at festivals including Sundance\, SXSW\, Berlin\, and Venice\, as well as at Lincoln Center\, the V&A Museum\, and Carnegie Hall to Anthology Film Archives\, Judson Church\, and Blue Stockings Bookstore. They are featured on The Criterion Channel and NOWNESS. As a dancer\, Baldwin performed on a world tour with David Byrne and Brian Eno and with the Metropolitan Opera\, Trisha Brown Dance Company\, and other NYC choreographers. The New York Times says her “work has a visceral power similar to Cronenberg’s.”
URL:https://www.fluxfactory.org/event/din-din-quick-slice/
ATTACH;FMTTYPE=image/png:https://www.fluxfactory.org/wp-content/uploads/2021/05/dindin_website_headers_quickslice.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210604T180000
DTEND;TZID=America/New_York:20210606T180000
DTSTAMP:20260411T100656
CREATED:20210419T163421Z
LAST-MODIFIED:20220914T165328Z
UID:27960-1622829600-1623002400@www.fluxfactory.org
SUMMARY:I Love You\, I'm Sorry\, Come Here: Solo Exhibition by Natalie Tsui
DESCRIPTION:Gallery Dates: June 4 – 6\nGallery Hours*\n\n\n\n\n\nFriday\, June 4\, 6 – 10pmSat & Sunday\, June 5 & 6\, 1 – 6pm\n\n\n\n\n\n\nOpening Night\n\n\nFriday\, June 4\, 6pm – 10pm \nArtist Talk and Screening\n\nSunday\, June 6\, 6pm ETRSVP for link here \n\n*Please note: Masks are required inside the gallery. \n\nExhibition Description\n\n\n\n\n\n\n\nUsing an accidental two-hour voice memo of emotional processing with a former partner as a script\, Natalie Tsui has gathered together friends\, a couple\, and actors to dissect and reenact the conversation for the camera. As Natalie films and directs\, a secondary camera films an uninterrupted wide shot of the entire shoot day\, documenting discussions around script analysis\, character motivation\, and Natalie’s highly subjective recollection of lived events while the participants work to condense the two-hour conversation into a narrative story. \n\n\nAn examination of the complexities of personal memory\, I Love You\, I’m Sorry\, Come Here is a multichannel video installation combining footage from the filmed recreations\, personal video archives and documentary footage to explore the limits of documentary film production and the latent ideological drives of the moving image. \n\n\n\n\n\n\n\nArtist Bio\n\n\n\n\n\nNatalie Tsui (they/them) is a non-binary artist primarily working in film\, video\, and performance to investigate and problematize the colonial and capitalist drives latent in visual culture\, western pedagogy and collective memory. Tsui holds a B.A. in Film Studies and English from UC Berkeley and an M.F.A. in Cinema from San Francisco State University. \nTheir work has screened at the Contemporary Jewish Museum\, Frameline\, Museu de Arts Moderna of Rio de Janiero\, Shapeshifters Cinema\, the San Francisco Museum of Modern Art\, and the New York LGBT Community Center. They were a Flaherty Seminar Fellow\, NYFF Artist Academy Fellow\, Queer Art Mentorship Fellow\, and a Princess Grace Film Awardee.
URL:https://www.fluxfactory.org/event/you-or-me-or-perhaps-someone-else/
LOCATION:Flux Factory\, 39-31 29th St\, Long Island City\, NY
CATEGORIES:Residency Shows
ATTACH;FMTTYPE=image/jpeg:https://www.fluxfactory.org/wp-content/uploads/2021/04/YOU-camera-scaled.jpg
ORGANIZER;CN="Flux Factory":MAILTO:nat@fluxfactory.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210605T150000
DTEND;TZID=America/New_York:20210605T170000
DTSTAMP:20260411T100656
CREATED:20210505T185539Z
LAST-MODIFIED:20220914T150857Z
UID:27695-1622905200-1622912400@www.fluxfactory.org
SUMMARY:Din Din: A Stitch in Time: Trans Family Archives with Eli Brown
DESCRIPTION:This event is part of the exhibition Din Din\, a series of free\, socially-distanced outdoor events which use food and art to build community. \n\n\n\nRSVPs are now closedEmail transfamilyarchives@gmail.com to attend future events \n\n\n\nProgram Description\n\n\n\nA Stitch in Time: Trans Family Archives is a free dinner and conversation series for trans and non-binary people to co-create intentionally multigenerational space and relationship. During Trans Family Archives dinners\, participants work through generational biases\, share critical histories\, and witness each other in physical space. These facilitated discussions serve to build a foundation for mutual support amongst oft segregated community members.  Participants self-select to join the archives\, a growing\, freely accessible auditory resource which explores cross-generational dynamics. \n\n\n\nArtist Bio\n\n\n\nEli Brown is an interdisciplinary artist working living media\, drawing\, sculpture\, performance\, video\, and participatory projects.  Their work explores the histories and futurities of queer and trans subjectivities\, communities and intimacies\, and deals with anthropocentrism as it relates to conceptions of evolution and species.  Recent work has been featured at the Museum of Fine Arts Boston\, deCordova Sculpture Park and Museum\, and Creative Time Summit X. Upcoming work will be flown with Tailgate Projects in Tampa\, FL.
URL:https://www.fluxfactory.org/event/din-din-trans-family-archive/
LOCATION:Windmill Community Garden\, 39-22 29th St\, Long Island City\, NY\, 11101\, United States
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210610T190000
DTEND;TZID=America/New_York:20210610T220000
DTSTAMP:20260411T100656
CREATED:20210514T130704Z
LAST-MODIFIED:20220914T151304Z
UID:27700-1623351600-1623362400@www.fluxfactory.org
SUMMARY:Din Din: Fungal Symbiote Dinner & Musings with Gil Lopez
DESCRIPTION:This event is part of the exhibition Din Din\, a series of free\, socially-distanced outdoor public events which use food and art to build community. \nLocation: 39-22 29th St\, Long Island CityPlease RSVP Here \nProgram Description\nParticipants will join the hosts for an evening discussing the fungal world at the intersection of human health and ingenuity. Discussion will include culinary mushroom cultivation\, mycelium as a metaphor for radical social organizing and the stones ape theory. Dinner will include mushrooms grown by the artist. \nFlux Thursday is a monthly community potluck and artist salon the second Thursday every month. It is Flux Factory’s longest running public program and we’re looking forward to hosting our first in-person Flux Thursday since the onset of the pandemic. \nFacilitator Bio\nGil Lopez is a community organizer who creates socially engaged performance art which connects human participants with the natural world which we are a part of. His work invites participants\, particularly urban dwellers\, to re-engage with our biophilic history\, to continue the work of our ancestors in understanding and making meaning of our human potential to become allies with plants\, animals\, fungal entities and the mineral world. Gil is the cofounder of the urban farm collective Smiling Hogshead Ranch\, serves on the Queens Solid Waste Advisory Board and works as an environmental educator and compost professional.
URL:https://www.fluxfactory.org/event/din-din-symbiote-dinner/
LOCATION:Windmill Community Garden\, 39-22 29th St\, Long Island City\, NY\, 11101\, United States
ATTACH;FMTTYPE=image/png:https://www.fluxfactory.org/wp-content/uploads/2021/05/dindin_website_headers_FluxThursday.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210611T170000
DTEND;TZID=America/New_York:20210620T180000
DTSTAMP:20260411T100656
CREATED:20210327T180229Z
LAST-MODIFIED:20220914T165512Z
UID:28023-1623430800-1624212000@www.fluxfactory.org
SUMMARY:Haa Guumoben Waaliga (May You Never Be Disgraced): Dual Exhibition by Hana Mire and Samia Osman
DESCRIPTION:Gallery dates*\n\n\n\nFriday\, June 11\, 5 – 8pmSaturday & Sunday\, June 12 & 13\, 1 –  6pm\n\n\n\nThursday & Friday\, June 17 & 18\, 3 – 8pm\n\n\n\n\nSaturday & Sunday\, June 19 & 20\, 1 – 6pm \n*Masks are required inside the gallery. \n\n\n\n\nOpening Reception\n\n\n\nFriday\, June 11\, 5 – 8pm\n\n\n\nIn the Windmill Community GardenRSVP Here Join Hana and Samia in the garden and enjoy some tastes of Somalia by Safari Restaurant. They will be serving Shaax\, Sambusa\, Bur Mandazi\, Buskud. With traditional music by Somali-American harpist Iliana Hagenah.\n\n\n\n\nArtist Talk with Hana & Samia\nThursday\, June 17\, 6pm ETRSVP HereHana and Samia will show their work and discuss their collaborative practice.\n\n\n\n\n\n\nHaa Guumoben Waaliga (May You Never Be Disgraced)\nHana Mire in collaboration with Samia Osman will premiere an experimental short film and showcase selected documentary photography work made in Mogadishu\, Somalia ( locally known as Xamar). Some of these images were previously displayed in Mogadishu during the Somali Arts Foundation (SAF) contemporary photography exhibit titled Still Life ( Oct. 2020). \nCentered on video and photography\, Haa Guumoben Waaliga is an exhibition that explores the passage of time through the everyday contemporary life of  Mogadishu residents before and after the civil war. \nAs artists of the Somali diaspora raised in the United Arab Emirates\, we’ve understood our culture through oral stories from our parents\, theater\, literature\, music\, poetry and folktales. Longing to experience the motherland ourselves\, we traveled to witness firsthand the magical memories and complicated history our parents kept stored in their hearts. Included in our showcase are still and moving images captured by us throughout the years woven with archival sourced from friends and family. \nHaa Guumoben Waaliga aims to offer a time portal to familiar landscapes and sounds in hopes to contribute towards intergenerational conversations about Somali identity at home and in the diaspora today. The sequence of images is a love letter to the people of Mogadishu that are so often stripped of their humanity in Western images. Our exhibition honors their resilience\, dignity\, and beauty. \nWe are not less human— despite the instability\, we remain steadfast in faith and joy. \n– Hana and Samia \n\nArtist Bios\nSomali independent filmmaker Hana Mire studied at the New York Film Academy in Abu Dhabi. Her short documentary SILENT ART was awarded a prize at the Abu Dhabi Film Festival\, and she has worked with Abu Dhabi National TV and twofour54 Abu Dhabi Free zone Media. She is a fellow of the Chicken and Egg Diversity Initiative & Accelerator Lab and has been selected to attend the Greenhouse Development Lab. Hana was an Artist in residency at Flux Factory she is currently directing and producing her first feature-length documentary\, which has already received support from Chicken & Egg Pictures\, Bertha Foundation\, Sundance Documentary Institute\, HotDocs Pitching form\, Durban FilmMart\, and The Harnisch Foundation. She’s currently an artist resident in Jacob Burns film center. \n\n\n\n\n \n\n\n\nSamia Osman is a Somali Filmmaker who studied Filmmaking at the New York Film Academy in Abu Dhabi\, UAE. Her short film JUST ANOTHER ACCENT premiered in Cannes Film Festival short film corner\, and Internationally screened across Europe and the Middle East. She was mentored by the Hungarian filmmaker Béla Tarr at the International Filmmaking Academy in Bologna\, Italy. Samia is currently developing her feature documentary film in Dhagaxbuur in the Somali Region of Ethiopia. And In the production phase directing a documentary Series about The Afro Arab Experience in the Middle East. \n\n\n\nOpening Reception Musician\n\n\n\nIliana Hagenah is a Somali-American harpist based in New York City. For over 20 years\, she has played recitals and events. She was a member of The George Washington University orchestra\, where she played concert halls. She attended the Longy School of Music where she was trained with principal harpist of the Boston Symphony Orchestra\, Elizabeth Morse. Off season\, she experiments with scales and cultural sounds to bring a richer and varied understanding of the harp to her audiences.
URL:https://www.fluxfactory.org/event/haa-guumoben-waaliga/
LOCATION:Flux Factory\, 39-31 29th St\, Long Island City\, NY
CATEGORIES:Residency Shows
ATTACH;FMTTYPE=image/png:https://www.fluxfactory.org/wp-content/uploads/2021/05/Hana_PressImage-1.png
ORGANIZER;CN="Flux Factory":MAILTO:nat@fluxfactory.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210620T130000
DTEND;TZID=America/New_York:20210620T180000
DTSTAMP:20260411T100656
CREATED:20210514T141405Z
LAST-MODIFIED:20220914T151534Z
UID:27705-1624194000-1624212000@www.fluxfactory.org
SUMMARY:Din Din: Missing Luncheon
DESCRIPTION:Missing Luncheon is facilitated by Karen Krolak with food by Bianca Boragi\, featuring “Breakaway” by Heather Kapplow. \nThis event is part of the exhibition Din Din\, a series of free\, socially-distanced outdoor public events which use food and art to build community. \nReservations\nServed in Two SeatingsFor the 1pm Seating\, Please Make a Reservation hereFor the 4pm Seating\, Please Make a Reservation hereRSVP Mandatory \nLocation: 39-22 29th St\, Long Island City \nProgram Description\nWho or what did you lose in this last year? Normally\, we gather together with loved ones over food after funerals\, break ups\, and job endings but the pandemic halted that system of support. If you have been longing for one of these meals\, Karen Krolak\, creator of the Dictionary of Negative Space\, invites you to gather in the garden where laughter\, tears\, and awkward pauses are welcome to flow. We will dine on a French feast designed by Bianca Boragi and experience a poetic pop up by Heather Kapplow. Feel free to bring memories of what you’ve lost as we share stories\, moments of silence\, and moving metaphors to help us digest our grief. \nArtist Bios\nKaren Krolak is a free range collaborator based in Boston\, MA  She is the co-founder/co-Artistic Director of Monkeyhouse\, an award winning nonprofit that connects communities with choreography. Her ongoing project\, the Dictionary of Negative Space (DoNS)\, is an interdisciplinary lament for the words that the English language lacks for grief\, trauma\, and repair. Much like grief itself\, this unusual dictionary manifests in a variety of unexpected iterations. DoNS offers refuge for mourners grappling with complicated grief and was inspired by her experiences after a car crash killed her mother\, father & brother. \nHeather Kapplow creates participatory experiences that elicit unexpected intimacies using objects\, alternative interpretations of existing environments\, installation\, performance\, writing\, audio and video. “Breakaway” consists of a varied series of audience-enacted gestures woven into multiple Din Din events. It is ritual activity that conflates the notion of theatrical breakaway props — things designed to be destroyed without hurting anyone — with the idea of freedom obtained by breaking away from dysfunctional patterns rooted in traumas from the past. \nBianca Abdi-Boragi works across media using sculpture\, video\, installation\, and painting to enact representations of self and others\, often using found materials and landscapes as receptacles to address different states of being\, with a specific focus on alienation and territory. Tending towards the absurd though with care and respect\, her works respond to the contemporary political and social environment in the United States\, France\, and Algeria\, engaging with themes of gender\, subsistence\, and migration while linking this moment to the historical repercussions of post-colonialism. Abdi-Boragi is a French-Algerian/ American interdisciplinary artist who received her MFA from Yale School of Art\, Sculpture\, in 2017\, and obtained her BFA from ENSAPC. Her shows have been featured on Artnet\, Artspiel\, Taggverk Magazine amidst others. Solo shows include the Border Project Space Gallery and CADAF Art Fair\, she has exhibited with the Immigrant Artist Biennial\, NARS Foundation\, The Border Project Space\, VCU Arts\, NURTUREart Gallery\, Chashama Gallery\, Field Project Gallery\, Galerie Protégé\, The Clemente Soto Velez Center NY\, throughout the United States and internationally and has screened art films at Anthology Film Archive\, UnionDocs\, Video Revival\, NY\, the Whitney Humanity Center\, and Loria Center\, New Haven\, CT. Abdi-Boragi was the recipient of the JUNCTURE Fellowship in Art and International Human Rights from the Yale Law School and was recently in residency at NARS Foundation and previously at MASS MoCA’s studios\, the Centquatre\, Paris\, France\, Pact Zullverein\, Essen\, Germany\, Cal’Arts\, Los Angeles. Abdi-Boragi is also an independent writer/ curator and founder of Gallery Perchée.
URL:https://www.fluxfactory.org/event/din-din-missing-luncheon/
LOCATION:Windmill Community Garden\, 39-22 29th St\, Long Island City\, NY\, 11101\, United States
ATTACH;FMTTYPE=image/png:https://www.fluxfactory.org/wp-content/uploads/2021/05/dindin_website_headers_missingluncheon.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210623T130000
DTEND;TZID=America/New_York:20210630T170000
DTSTAMP:20260411T100656
CREATED:20210513T133353Z
LAST-MODIFIED:20220914T151633Z
UID:28106-1624453200-1625072400@www.fluxfactory.org
SUMMARY:¡Bienvenidxs! A Week-long Open Embroidery Workshop
DESCRIPTION:Workshop dates\nJune 23rd – June 30th\,\nfrom 1 – 5pm\nIn the Flux Factory Gallery* \n\nDrop-in attendance!\n\n*Masks are required to be worn inside the gallery.\n\n\n\nBackstrap Weaving Workshop\nFriday\, June 25\n5 – 6:30pm\nLocated at the Windmill Community Garden\nJoin for a special backstrap weaving workshop with Cynthia Alberto\, a special guest artist from the Weaving Hand. Backstrap weaving is an Indigenous weaving technique using a simple loom that relies on tension from the weaver’s body. All materials will be provided.\nRSVP Here\n\n\n\nProgram Description\n\n\n\n¡Bienvenidxs!\, will be an installation of an embroidery workshop open to the public hosted by Maria Lulu Varona. Learning how to embroider while collaborating on a table cloth. Materials will be provided\, no need to have previous experience. Come to learn\, relax\, chat and have fun. This project is possible thanks to the Queens Council for the Arts. \n\n\nArtist Bio\n\n\nMaria Lulu Varona (b. 1993\, San Juan\, Puerto Rico) lives and works between Puerto Rico and New York City. Varona learned her embroidery techniques from her grandmother growing up applying it to make works addressing contemporary conditions. She has exhibited at Bronx Art Space\, New York (2017) Roberto Paradise\, San Juan\, Puerto Rico (2017)\, Flux Factory\, Brooklyn\, NY (2019)\, MACO Feria de arte\, Mexico City (2020)\, Embajada\, San Juan Puerto Rico (2020)\, amongst other group shows at independent galleries spaces. Also have participated in art-residencies such as International Studio and Curatorial Program in Brooklyn\, NYC (2018)\, Flux Factory in Queens\, NYC (2019)\, Program for Independent studies at the Contemporary Arts Museum of Puerto Rico (2020)\, and at Artist Cooperative Residency and Exhibitions in rural southwest Wisconsin (2021).
URL:https://www.fluxfactory.org/event/bienvenidxs-a-week-long-open-embroidery-workshop/
LOCATION:Flux Factory\, 39-31 29th St\, Long Island City\, NY
ATTACH;FMTTYPE=image/jpeg:https://www.fluxfactory.org/wp-content/uploads/2021/05/Lulu_Press_Image_Banner.jpg
ORGANIZER;CN="Flux Factory":MAILTO:nat@fluxfactory.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210626T190000
DTEND;TZID=America/New_York:20210626T220000
DTSTAMP:20260411T100656
CREATED:20210514T172604Z
LAST-MODIFIED:20220914T151742Z
UID:27711-1624734000-1624744800@www.fluxfactory.org
SUMMARY:Din Din: Recalling Bitterness Tasting Menu and Film Screening
DESCRIPTION:This program is the closing event for Din Din\, a series of free\, socially-distanced outdoor public events which use food and art to build community. \nLocation: 39-22 29th St\, Long Island City \nProgram Schedule\n7 – 9pm\nThe “Recalling Bitterness Tasting Menu” by Siri Lee and “Breakaway” by Heather Kapplow \n9 – 10pm – Short film and video art program featuring: \nJulia Hechtman “ONLY US”\nPhyllis Ma “Trip the Fruit Fantastic”\nRobbie Samuels “Hip Hop Cafe”\nZina Saro-Wiwa “Table Manners (Season 2): Dorcas Eats Roasted Snails and Drinks Maltina”\nRebecca Shapass “Eggless”\nDana Sherwood “Feral Cakes”\nTobias Rud “Sweetie O’s”\nForest Juziuk “Briars: I’m not good looking but my mother gave me something” \nRecalling Bitterness Tasting Menu\nSiri Lee’s “Recalling Bitterness Tasting Menu” satirizes the Cultural Revolution ritual of “Recalling Bitterness and Savoring Sweetness.” Emerging shortly after a period of unprecedented famine\, this hypocritical ritual was designed to contrast the “bitterness” of life before the Communist Party took power with the “sweetness” of life under its rule. In Siri Lee’s reinterpretation of this ritual\, she instead designed a contemporary “Recalling Bitterness Tasting Menu\,” with each “dish” serving a story of famine and food shortages under the Maoist regime.\n\nBreakaway\n \nHeather Kapplow creates participatory experiences that elicit unexpected intimacies using objects\, alternative interpretations of existing environments\, installation\, performance\, writing\, audio and video. \n“Breakaway” consists of a varied series of audience-enacted gestures woven into multiple Din Din events. It is ritual activity that conflates the notion of theatrical breakaway props — things designed to be destroyed without hurting anyone — with the idea of freedom obtained by breaking away from dysfunctional patterns rooted in traumas from the past. \nFilm Program \nJulia Hechtman\, “ONLY US”\, 5:40 \nIn this multi-channel video installation\, the artist ritualistically covers her hands with\, and consumes fragments of\, her mother’s ashes. \nForest Juziuk “Briars: I’m not good looking but my mother gave me something”\, 12:00 \n\n“Briars” is an experimental soap opera based on the true story of a small group of men living in community apartments in 1980s Southeast Michigan. This episode\, entitled “I’m Not Good Looking But My Mother Gave Me Something\,” consists of a single breakfast-for-dinner scene\, approximately two minutes in length\, in which two newly acquainted friends discuss the meal. There is Otis\, who recently moved to town from parts unknown\, and Junior\, the host and chef. \n\nPhyllis Ma “Trip the Fruit Fantastic”\, 3:09 \nDragonfruits\, watermelon and other fruits come to life in this musical stop motion video. (music by Landen Griffith). \nRobbie Samuels “Hip Hop Cafe”\, 4:20 \nHip Hop Cafe is a film entirely made from golden age rap lyrics.\n \nZina Saro-Wiwa “Table Manners (Season 2): Dorcas Eats Roasted Snails and Drinks Maltina”\, 6:47 \nTable Manners (2019) is a continuation of the ongoing video series that sees individuals in the Niger Delta giving an eating performance for Zina’s camera. The viewer is encouraged to sit down and enjoy the meal with the eaters. All the performers in the series use their hands to eat. At the end of each film the place of the filming is stated. This documentation simply serves to highlight that “an important ritual has taken place”. Saro-Wiwa states: “A powerful exchange takes place when one not only eats a meal but watches a meal being consumed. One is filled up with an unexplainable and potent metaphysical energy that we normally pay no attention to.”  This work places a spotlight on and radicalizes this invisible force. The documentation of the meal and the place it was consumed forces the viewer to also ingest the names and cultural realities surrounding the oil production in the Niger Delta. Realities that are usually ignored or erased. \nRebecca Shapass “Eggless”\, 10:19 \nInspired by Betty Crocker’s marketing strategy (developed by Freud-devotee Edward Bernays) to have housewives “add an egg” to their cakes\, “Eggless” is a meditation on fertility & worship through the lens of eggs as a commercialized symbol of rebirth\, an erotic object\, and an American diet staple. \nDana Sherwood “Feral Cakes”\, 6:28 \nWhile residing deep within the suburban sprawl of South Florida Sherwood began setting out fruits\, vegetables\, meats\, cakes and other confectionery concoctions for the local animal inhabitants.  The menus grew from a knowledge of the natural diet of animals such as raccoons\, foxes\, possums and other creatures she expected to find living along the borders of human habitation. Filming over the days\, weeks and months Sherwood began to get to know the preferences and predilections of their régimes\, and a conversation started to emerge as she watched the videos each morning from the previous nights banquet and adjusted\, tweaked and tested them.  \nTobias Rud “Sweetie O’s”\, 4:00 \nA lonely middle-aged man becomes obsessed with a brand of children’s cereal\, that takes him back to his carefree childhood in his mother’s warm embrace.Animated traditionally with pencil and paper. \nArtist/Filmmaker Bios\nJulia Hechtman is a multi-disciplinary artist\, who makes works about place\, absence\, identification/identity and mortality. \nForest Juziuk is an American artist and writer. Taking inspiration from soap operas\, YA novels\, and TV sketch comedy\, he works with devices familiar and suggestive to explore memory sensation. His work has appeared in the magazine The Minus Times (Drag City)\, and the books The Minus Times Collected (Featherproof) and J&L Illustrated #2 (J&L). He also co-authored the chapter “The ‘Why’ of Arts Organizations in the DIY Era” in the book 20under40: Re-inventing the Arts and Arts Education for the 21st Century. \n \nSiri Lee is an NYC-based interdisciplinary visual storyteller. A potluck of research\, mixed media\, and speculative fiction\, Lee’s work deploys image and wordplay to visualize analogies between material culture and ideology. A recent graduate from the University of Chicago\, Lee has been selected for inclusion in Project Anywhere’s Global Exhibition Program\, 2020; been an artist-in-residence at Residency Unlimited in New York\, 2020; and received the Scholastic Art & Writing Awards Alumni Microgrant\, 2019. Her work has been exhibited in Chicago\, Los Angeles\, and New York. \nPhyllis Ma is a New York-based artist working in photography and animation. She studied visual arts at Columbia College\, Columbia University\, as well as printmaking at The Glasgow School of Art and fashion design at FIT. Her recent works include Special Nothing\, a book of travel still lifes\, and Mushrooms & Friends\, a photography series featuring foraged and cultivated mushrooms. Phyllis’s work has been profiled in The New York Times\, It’s Nice That and Sight Unseen. Select commercial clients include Netflix\, Vice\, Lazy Oaf\, SSENSE and A24. \nRobbie Samuels is a Black-British multi-award-winning advertising-creative\, writer and director. Hip Hop Cafe was a passion project\, and his love letter to the golden age of Hip Hop. \nZina Saro-Wiwa is an artist working primarily with video but also photography\, sculpture\, sound and food. She lives and works in Brooklyn\, New York as well as running a practice in the Niger Delta region of Nigeria where she founded the contemporary art gallery Boys’ Quarters Project Space for which she regularly curates. Saro-Wiwa is one of Foreign Policy Magazine’s Global Thinkers of 2016recognized for her work in the Niger Delta. She was Artist-in-Residence at Pratt Institute\, Brooklyn 2016-2017 and in April 2017 was awarded a Guggenheim Fellowship for Fine Arts. \nRebecca Shapass is a filmmaker and interdisciplinary artist from New York City. She works to create bio-mythographic\, audio-visual worlds where the fissures between personal and collective memory are mined to reveal fragile systems of perception and remembering. Her work has been screened and exhibited with institutions and festivals including Microscope Gallery (Brooklyn\, NY)\, Knockdown Center (Queens\, NY)\, Open Signal (Portland\, OR)\, amongst others. She has participated in residencies including Smack Mellon (Brooklyn\, NY)\, Signal Culture (Owego\, NY)\, and Crosstown Arts (Memphis\, TN). Currently\, she is pursuing her MFA at Carnegie Mellon University. \nDana Sherwood has exhibited throughout The Americas\, Europe and Australia including solo exhibitions at the Florence Griswold Museum\, Nagle-Draxler Reiseburogalerie (Cologne)\, Denny Dimin Gallery (New York) and Kepler Art-Conseil (Paris).  Her work has also been shown at Storm King (New York)\, The Jack Shainman School\, The Fellbach Sculpture Triennial (Germany)\, Pink Summer Gallery (Italy)\, Kunsthal Aarhus\, The Palais des Beaux Arts Paris\, Marian Boesky Gallery\, Socrates Sculpture Park\, Flux Factory\, The Biennial of Western New York\, Prospect 2: New Orleans\, Scotia Bank Nuit Blanche (Toronto)\,  dOCUMENTA 13\, and many other venues worldwide. \nTobias Rud is director and animator born 1991 in Copenhagen\, Denmark. Has a background in cinematography\, but has moved away from cameras and their limitations to start drawing his own films instead.
URL:https://www.fluxfactory.org/event/din-din-closing-event/
LOCATION:Windmill Community Garden\, 39-22 29th St\, Long Island City\, NY\, 11101\, United States
ATTACH;FMTTYPE=image/png:https://www.fluxfactory.org/wp-content/uploads/2021/05/dindin_website_headers_filmscreening.png
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BEGIN:VEVENT
DTSTART;TZID=Europe/Copenhagen:20210804T180000
DTEND;TZID=Europe/Copenhagen:20210804T200000
DTSTAMP:20260411T100656
CREATED:20210803T184550Z
LAST-MODIFIED:20210805T230959Z
UID:28339-1628100000-1628107200@www.fluxfactory.org
SUMMARY:Doing Nothing Together & The Other Question
DESCRIPTION:Join Kosmologym (Walker Tufts\, Jo Bech Dalsgaard\, Maria Teilgård) and Heather Kapplow for an evening of Doing Nothing Together and an experimental group version of The Other Question. \nDoing Nothing Together is an opportunity to practice resistance to the compulsion of doing\, and an attempt\, in a collaborative way\, to understand what “being” might be about\, if it is not simply “doing”. I am seeking the inherent value of being\, which we tend to have at birth\, but seem to lose somewhere along the way. \nThe Other Question is a divination game about empathizing with other non-human beings\, and the different time scales we exist on. We will play the first living beings to have established full inter-organism communication. We will ask an Other a burning Question\, and then wait for the Answer. It may not arrive in time. \nArtist Bios: \nKosmologym is an art and game design collective. Our games challenge players to encounter more-than-human others and place human bodies in physical relationships to global systems. Kosmologym has created games for Franconia Sculpture Park\, Shafer\, MN\, US; the Philadelphia Science Festival and Bartram’s Garden in Philadelphia\, US; Art Prospect Festival 2018 in Saint Petersburg\, RF;  the Kulturhavn Festival and VEGA Arts in Copenhagen\, DK. We have performed our games in London and Leeds\, UK; Copenhagen\, Aalborg and Aarhus\, DK; Philadelphia and New York City\, USA.  \nkosmologym.com\ninstagram.com/kosmologym \nHeather Kapplow (www.heatherkapplow.com) is an American conceptual artist specializing in participatory experiences that investigate and playfully re-interpret assumptions underlying our social contracts. Kapplow’s strategies include installation\, public engagement\, performance\, text\, audio and video. Kapplow has been awarded numerous grants and fellowships\, and has had work commissioned for galleries\, film and performance festivals within the USA and internationally. \nheatherkapplow.com\ninstagram.com/heather_kapplow\n#doingnothingtogether2021
URL:https://www.fluxfactory.org/event/doing-nothing-together-the-other-question/
LOCATION:ARoS Public\, Aros Allé 2\, Aarhus\, Denmark
CATEGORIES:Aarhus Events
ATTACH;FMTTYPE=image/jpeg:https://www.fluxfactory.org/wp-content/uploads/2021/08/unnamed-2-scaled.jpg
ORGANIZER;CN="Flux Factory":MAILTO:nat@fluxfactory.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Copenhagen:20210805T170000
DTEND;TZID=Europe/Copenhagen:20210805T200000
DTSTAMP:20260411T100656
CREATED:20210803T200323Z
LAST-MODIFIED:20210805T230223Z
UID:28345-1628182800-1628193600@www.fluxfactory.org
SUMMARY:FLUX + FOOD with Arnar Ómarsson + Will Owen and Flux Artists
DESCRIPTION:What is an international point of connection? FOOD! Flux +  Food is an intentional meet and greet between Aarhus and Flux Factory through projects about food. We will also be hosting the 2nd Silver Croissant Awards. We will have conceptual snacks\, artists from Aarhus and Flux Factory will discuss their work\, followed by a food themed DJ set! \nFlux Factory Artists include: Will Owen\, Carlos David TC\, Walker Tufts\, Sholeh Asgary\, Heather Kapplow\, Jonathan Sims\, and Lee Tusman. \nWill Owen\, originally from North Carolina\, US is an artist\, composer\, and curator currently based in Philadelphia\, PA. Will works mainly with Sound\, Installation Design\, and Food. He has worked internationally and domestically in the US. He has been a part of Flux Factory for 7 years.  \nWillowen.net\n@weeowie
URL:https://www.fluxfactory.org/event/flux-food-with-arnar-omarsson-will-owen-and-flux-artists/
LOCATION:Camping Book1\, Møllegade 3A\, 8000\, Aarhus\, Denmark
CATEGORIES:Aarhus Events
ATTACH;FMTTYPE=image/jpeg:https://www.fluxfactory.org/wp-content/uploads/2021/08/unnamed-3.jpg
ORGANIZER;CN="Flux Factory":MAILTO:nat@fluxfactory.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Copenhagen:20210807T140000
DTEND;TZID=Europe/Copenhagen:20210807T160000
DTSTAMP:20260411T100656
CREATED:20210803T200950Z
LAST-MODIFIED:20210805T173029Z
UID:28349-1628344800-1628352000@www.fluxfactory.org
SUMMARY:Creative tools for art-making\, community building and publishing with Lee Tusman
DESCRIPTION:Produced by Lee Tusman in collaboration with Code&Share[  ] Community and Cantina \nImagine if all illustrators were required to use the same brand and design of #2 pencils or if all photographers could use only one type of camera and film and pay a monthly fee for their continued use. This is the situation today for today’s largest (and best-marketed) digital artmaking suites like Adobe Creative Suite. But a whole world of other exciting\, experimental and artist-friendly tools exist beyond the confines of this. This workshop on creative tools is built for artists\, and small DIY communities\, covering possibilities of image production\, drawing\, photographing\, organizing and experiments. \nIn this workshop we will start with a brief overview of artmaking tools that are alternatives to commercial offerings and then launch into a range of many other experimental and exciting artist software tools such as zine making tools (Electric Zine Maker)\, digital painting software (Krita\, JS Paint)\, painting tools that allow one to collaboratively draw with a computer (NoPaint)\, 3d object scanning (Meshroom)\, and many more. Participants will create mini projects with these tools which we will document with photos and screenshots. By the end of the session we will produce a collaborative zine about these tools and showing the work we’ve created\, with the goal of making this resource available for artists everywhere.
URL:https://www.fluxfactory.org/event/creative-tools-for-art-making-community-building-and-publishing/
LOCATION:ARoS Public\, Aros Allé 2\, Aarhus\, Denmark
CATEGORIES:Aarhus Events
ATTACH;FMTTYPE=image/jpeg:https://www.fluxfactory.org/wp-content/uploads/2021/08/flyer.jpg
ORGANIZER;CN="Flux Factory":MAILTO:nat@fluxfactory.org
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END:VCALENDAR