Macon Reed works in sculpture, installation, video, radio documentary, and participatory projects to explore notions of belonging, the limits of optimism, and play as ritual transcendence from frameworks of evolving queer and feminist discourses.
Kyung-jin Kim (b. South Korea) is a process-oriented artist. He utilizes diverse media to approach the substance of liminality inherent to dislocation, translation and adjustment. His method looks to scattered encounters with networks and systems of data, and to how this experience shifts with proximity, as well as the motions and elisions of one’s memory. Through sculpture and models, video projections, and interactive sound installations, Kim inducts a sense of what cannot be known through palpable lapse and void.