Stefany Anne Golberg

Stefany Anne Golberg was reared in a strong Science-fearing household in an overlarge house in Las Vegas, NV. Influenced by nothing in particular, she developed an avid interest in everything, and was formally trained in dance, theatre, painting, and sculpture. However, despite a growing interest in Continental philosophy and social activism, beginning at age 12, she never became a very good gambler. But the story doesn’t end there.

At the age of 17, following a 2-year stint in a professional theatre troupe, Stefany escaped the confines of the Boxing Capital upon acceptance to The American Academy of Dramatic Arts, NYC. Then, in an uncanny twist no one could have predicted, she dropped theatre in exchange for something more respectable, and helped establish the Flux Factory, The much-acclaimed 1995 brought a degree in Philosophy from Eugene Lang College at The New School For Social Research. There’s yet more. Armed with her education, a yang chin (Chinese hammered dulcimer), and a sensitivity to citrus fruits, Stefany finally lassoed her favorite and most unfamiliar filly, music.

Thus, the remainder of Stefany’s essence was now devoted to song, words, and the industrious lifestyle of the pauper-elite. She received her MFA in Music/Sound at Milton Avery Graduate School of Arts at Bard College and has studied Bulgarian and Sephardic folk-singing, as well as many international folk musics. A self-trained musician and composer, she has created sound scores for various dance and theatre companies. Stefany was the leader of the Balkan/cabaret/experimental band The Galerkin Method, and also appears regularly as a guest artist in the musical projects of others playing hammered dulcimer, percussion, singing, or hypothesizing. She is deeply committed to Flux Factory, and its world-infiltration agenda.