Dylana Dillon - one of Flux’s Community Organizers in Residence - is an activist, artist and educator hailing from the beautiful green mountains of Vermont. Dylana's work can be viewed primarily through the lenses of environmental justice and cross cultural exploration.
Jacobus Capone is a Perth based emerging artist working within durational performance, installation, painting and video. His work continually has an emotional and humanistic sensitivity, and centers around the desire and constant effort to integrate all action into the wholeness of one lived experience.
Piero Passacantando, CEO of MyNerva, a collaborative center for artistic research, dialogue and production exploring corporate structures.
Loney Abrams is an artist, curator, and critical writer living and working in New York. Her practice locates the internet as an exhibition space and an alternative to institutionalized or market-driven curatorial praxis.
Rob O’Connor’s work is primarily painting based, but touches on all manner medium and contexts, both traditional and experimental all of which expand upon and feed into each other. Pivotal to his practice is the processing of excessive cultural stimuli and historical memory.
Eirini Oraiopoulou works within the fields of urbanism, social, and cultural studies, with a focus on the local-global dialectic and the contemporary city.
In his body of work, Philip Emde investigates the question of how to "cope with everyday life," and creates cyclical series of work using screen printing and etching techniques.
Anastasios Logothetis (1979) is a spontaneously re-occuring guest at Flux Factory and multidisciplinary artist who shares his time between Stockholm and New York.
Sarah Witt is a skeptically serious and professional interdisciplinary artist working at the intersection of performance and non-performance.
Stéphane Pauvret is an artist, documentary video-maker, and film programmer. He overturns the conventions of our standard spaces of representation, in order to open up new fields of investigation while maintaining a critical approach to 'the spectacle' and the mark it has made on our way of life.