Maurice Carlin is a Manchester based artist and co-director of Islington Mill. His work merges performance, place and publishing to produce dialogues between digital and physical experience.

We are the Volkov Commanders, a unified alter ego from a future of our own making who have travelled from the Moon on the Volkov, a large mechanical woolly Mammoth. We entertain and excite, making work centered on characters that celebrate movement, sound and costume.

Rachel Goodyear creates drawings that present a peculiar world of disjointed narratives - they are sometimes absurd and ridiculous, and at other times full of melancholy and loss; mostly tinted with dark humour.

Orsina Pasargiklian is a London based artist, born in 1987 in Milan, Italy. Her work investigates aspects of urbanization and the coming together of different cultures within cities as a consequence of a globalized world.

Amelie studies Art History and Comparative Literature at Free University Berlin. She is currently conducting research for her final thesis in Art History on the topic of alternative art spaces with a focus on the 1970s.

Sara G. Arjona has curated numerous exhibitions in different spaces. She started in Spain solidifying her projects in alternative spaces such as restaurants, hotels and art spaces. She has also participated in curating projects in Art Fairs around Europe.

Athena Denos is a student and artist currently based in Long Island City, NY from Los Angeles, CA, and is Flux Factory's intern.

Elana Belle Carroll writes, produces and performs electronic, experimental, and Americana music, organizes live performances, and writes about commercial and social experiences of music.

Emi Nishiwaki cuts short clips of live performances that cannot be recreated (singular characteristics) using video and photography as a means to capture and reproduce them (producible characteristics). She then transforms these images into an installation, so that the audience can experience the 'singular characteristics' at that specific place and time.

Meng-Hsuan Wu's art is not only a way to record her insights into life but also a means for her to observe other people’s perspectives about being. How can changing a person’s life condition influence one’s sense of existence, both physically and spiritually?