Abigail Entsminger is a performance artist, writer, and set designer from San Antonio, TX. Her collaborative performance work focuses on a wide range of subjects varying from the examination of Futurist texts to community art fabrication under the guidance of fictional internationally renowned Artists.

Fatima Rodrigo's work features modern tropical and geometric images, filled with nostalgia from Latin American pop culture of the past.

Eleanor Scholz is a visual artist based out of Salt Lake City, Utah and the SF Bay Area. Her current work focuses on pyrography (wood burning), pattern building, the obsessive mark, and sacred artworks.

Molly Haslund incorporates musical compositions and sculptural objects into interdisciplinary performances, often in close interaction with the audience, architecture and urban space. Her work explores how ideas, identities and social hierarchies are intimately connected and negotiated through bodily gestures, rituals and arrangements of our physical surroundings.

Seth Larson is a writer, performance artist and theater director from San Antonio, TX. His work focuses on the collaborative creation of performances, with an emphasis on Futurist and Surrealist themes.

Kara Jefts is a curator, art historian, and artist. Her work centers around themes of ero guro nansensu (erotic grotesque nonsense) and the activity of an artist group associated under the name Mavo (active 1923-1926).

Maya Quattropani is a visual artist & art teacher based in Turin, Italy, working with performance, analog photography, video, sound and textual/narrative installations. Her work is an archive-in-progress of daily rituals developed in participatory actions/games/workshops/excursions involving people to cooperate in the construction of a new (artistic) community.

Dylan Neely is a composer and improviser whose work includes electroacoustic violin performance, opera, sound installation, and various multimedia collaborations.

Bonella Holloway explores the structures of everyday life, focusing on its humour and musicality through video, writing, sound and performance. Rhythms of transport, meals, speech, emotional patterns, sexuality, editing processes of cinema, and experimental music become tropes, used and deformed to construct her own visual universe.

Ariel Abrahams writes poetry in email, inky pen drawings, .zip files, audio, sleepovers, long walks, and Shabbat dinners.